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рдкुрд░ुрд╖ рдк्рд░рддि рдпрд╕рд░ी рдЖрдХрд░्рд╖िрдд рд╣ुрди्рдЫрди् рдорд╣िрд▓ा

рдорд╣िрд▓ाрд╣рд░ुрдХो рдордирднिрдд्рд░ рдХे рднрдЗрд░рд╣ेрдХो рдЫ ? рдпो рд╡िрд╖рдп рдкुрд░ुрд╖рдХा рд▓ाрдЧि рдПрдЙрдЯा рдаुрд▓ो рдк्рд░рд╢्рдирдХा рд░ुрдкрдоा рд░рд╣рдиे рдЧрд░ेрдХो рдЫ। рдЕрдЭ рдпрджि рдХुрд░ा рд╕ेрдХ्рд╕рдХो рд╣ो рднрдиे рдд рдпрд╕्рддो рдХे рдХुрд░ा рдЫ рдЬो рдорд╣िрд▓ाрд▓ाрдИ рдпрддाрддिрд░ рдЖрдХрд░्рд╖िрдд рдЧрд░्рджрдЫ ?
рдПрдХ рд╢ोрдзрдХा рдЕрдиुрд╕ाрд░ рдХрддिрдкрдпрдХो рдмुрдЭाрдИрдоा рдорд╣िрд▓ाрдоा рд╕ेрдХ्рд╕рдк्рд░рддि рдЗрдЪ्рдЫा рдЬाрдЧृрдд рд╣ुрдиुрдХो рд╕рдо्рдмрди्рдз рдЙрдиीрд╣рд░ुрдХो рдЙрдоेрд░рд╕ंрдЧ рдЫ।
рддрде्рдп рдд рдпो рд╣ो рдХि рдордз्рдпрдо рдЙрдоेрд░ рд░ рдмрдвी рдЙрдоेрд░рдХा рдорд╣िрд▓ाрд╣рд░ुрдоा рдпौрди рдЧрддिрд╡िрдзिрд╣рд░ु рдХेрд╡рд▓ рдЙрдоेрд░рдмाрдЯ рдиिрдпрди्рдд्рд░िрдд рд╣ुंрджैрди। рдЙрдиीрд╣рд░ुрдХा рд▓ाрдЧि рд╕ाрдеीрдХो рд╕्рд╡ाрд╕्рде्рдп рд░ рдЙрд╕рдХो рд╕рдо्рднोрдЧрдк्рд░рддिрдХो рдЙрдд्рд╕ुрдХрддाрд▓े рдаुрд▓ो рдЕрд░्рде рд░ाрдЦ्рджрдЫ। рдпрд╕ैрдмाрдЯ рдЙрдиीрд╣рд░ु рдк्рд░рднाрд╡िрдд рд╣ुрдиे рдЧрд░्рджрдЫрди्।
реирео рджेрдЦि рейрел рд╡рд░्рд╖ рдЙрдоेрд░ рд╕рдоूрд╣рдХा рдорд╣िрд▓ाрд╣рд░ु рд╕ेрдХ्рд╕ рдЧрд░्рдирдХा рд▓ाрдЧि рд╕рдХ्рд░िрдп рдд рд░рд╣рди्рдЫрди् рддрд░ рдЙрдиीрд╣рд░ु рд╕рдЬिрд▓ै рдХाрдоुрдХ рд╡्рдпрд╡рд╣ाрд░ рдк्рд░рджрд░्рд╢рди рдЧрд░्рджैрдирди् । рдпрд╕рд╡िрдкрд░ीрдд рдХрдпौ рдкрдЯрдХ рд╕ाрдеीрдХो рдЙрджाрд╕िрдирддा, рдЙрд╕рдХो рд╕्рд╡ाрд╕्рде्рдп, рд╕ाрдеीрднिрдд्рд░рдХो рд╕ेрдХ्рд╕рдк्рд░рддिрдХो рдХрдо рд░ुрдЭाрди рдЖрджि рдХुрд░ाрд▓े рдкрдиि рдорд╣िрд▓ाрднिрдд्рд░рдХो рд╕ेрдХ्рд╕ рдЗрдЪ्рдЫा рд╕рдоाрдк्рдд рдкाрд░्рди рд╕рдоाрдк्рдд рдкाрд░्рджрдЫ।
рд╣ाрд▓ै рдЧрд░िрдПрдХो рдПрдХ рдЕрдз्рдпрдпрдирдЕрдиुрд╕ाрд░ рдорд╣िрд▓ाрд╣рд░ु рдкुрд░ुрд╖рдХो рд╢ाрд░ीрд░िрдХ рдмрдиाрд╡рдЯрдоा рдмрдвी рдз्рдпाрди рджिрдиे рдЧрд░्рджрдЫрди् । рд╢рдХ्рддिрд╢ाрд▓ी рд╡्рдпрдХ्рддिрдк्рд░рддि рд╢ाрд░ीрд░िрдХ рд░ुрдкрд▓े рдорд╣िрд▓ाрд╣рд░ु рдмрдвी рдЖрдХрд░्рд╖िрдд рд╣ुрдиे рдЧрд░्рджрдЫрди् । рдЕрдз्рдпрдпрдирдЕрдиुрд╕ाрд░ рдорд╣िрд▓ाрд╣рд░ु рд╕ाрдоाрди्рдп рдкुрд░ुрд╖рдХो рддुрд▓рдиाрдоा рд╣ृрд╖्рдЯрдкृрд╖्рдЯ рдкुрд░ुрд╖рддрд░्рдл рдмрдвी рдЖрдХрд░्рд╖िрдд рд╣ुрди्рдЫрди् । рдпрд╕рдХा рд╕ाрдеै рдкुрд░ुрд╖рдХो рдЖрдХ्рд░ाрдордХ рд╡्рдпрд╡рд╣ाрд░рд▓े рдкрдиि рдмрдвीрдЬрд╕ो рдорд╣िрд▓ाрд▓ाрдИ рдЦिрдЪ्рдиे рдЧрд░्рджрдЫрди्। рдПрдЬेрди्рд╕ी

What's My Problem? How You Can Change Your Sex Life

Sexual problems are maintained between 2 people.  High/low, kinky/vanilla, softer/harder, erotic/dull desire – whatever the differences… people can’t resolve sexual issues because of the speck/log problem.  We can see what our partner is doing wrong.  The question we need to ask is, “What am I doing (or not doing) that gets in the way of a satisfying sex life?”

Sam wanted his wife to be free and uninhibited.  Once when she was on top, she reached down to stimulate herself. By taking matters into her own hands, so to speak, he thought she was communicating that he (his size, rhythm, whatever) wasn’t good enough.  Not a regular drinker, she decided to try some wine before bed.  He complained that she had acted silly not sensuous.  His anxiety about being adequate proscribed the ways she could change things.  His expectations about what freedom looked like turned spontaneity into a command – “be spontaneous the way I like it.” Marianna was bored in bed.  She longed for skilled seduction from her husband.  Most of the time he acted like a little boy, joking about, “When were they gonna do the jungle act?”  He grabbed at her breasts and buttocks.  Junior high jokes about farting and burping were his kind of funny.  In turn, Marianna acted prim.  She more often than not, rejected his initiations by rolling her eyes.  Her reactions made her the mother or the school-marm and him the naughty little boy.  She never took on the role of seductress because she believed initiation was the man’s role.

Questions to ask yourself:

1)   What 3 words describe your ideal sexual encounter?  You have to know what you want and own it before you can get it.  In my clinical experience, women more often than men, describe ideal sex as “I’ll know it when it happens.”  This attitude lacks the adult responsibility of shaping our future and makes it impossible to ask for what we want.

2)   Have I met the conditions my partner has asked for? Spouses might have peculiar requests but meeting them minimally reduces their argument for resistance.  Not meeting simple requests reinforces the power struggle between you. For instance, your partner says, “I’d feel more comfortable giving oral sex if you showered first.”  Shower.  “Your breathe is a turn-off.” Get regular dental cleanings, scrape your tongue, dental floss your teeth.  “I want you to initiate.”  Buck up.  Be courageous.  Plan a seduction. “I want to feel connected before we have sex.” Schedule a twice weekly lunch/date/dinner to talk about emotional subjects, dreams, goals – think dating. Keep the appointment as a matter of integrity regardless of what happens sexually.  Change is uneven and not based on quid pro quo. 

3)   Does my temper make my spouse feel afraid or anxious? Sex requires a sense of physical safety and most often relaxation.  If you can’t control your mouth – MOVE YOUR FEET!  Put a door between yourself and your family before one cross word or one elevated decibel threatens to destroy a normal disagreement.  Commit within yourself to a zero tolerance standard over your inappropriate anger.

4)   Do I keep raising the bar? Spouses become afraid that change will only last if they keep the pressure on.  Most people respond to appreciative reinforcement more.  Say thank you! Talk about how great small changes are without mentioning the next step.  Keep in mind that changes happen along an average trajectory with a step back every now and then.  Don’t over-react if the old pattern emerges temporarily.

5)   Am I a blamer?  In most decent couples, for every transgression of our spouse, there is a corollary to the way we have injured the relationship.  Find it.  Own it.  Forget calling attention to your partner’s every flaw.  That is exhausting to a relationship.  Being one up means your partner is one down – you both lose.

6)   Have I given sex its proper priority? – One woman I knew exercised 11 hours a week – tennis lessons, 3x weight training, 3x aerobics, etc.  She said she was too tired for sex.  Yet trading one of those hours for love-making would have eliminated their stressful fights over sex.  Poor decision.  Another man felt life was good but would be better with just a little more sex; his nagging eroded a relationship that was satisfactory.  In both examples, the people felt anxiety over getting close.  She was afraid of being controlled if she let him into her body or gave him leave to exercise her in a different way.  He was afraid that there would never be enough sensation to satisfy an aching need inside; he projected responsibility for his emptiness onto her.

7)   Does comparing outside my relationship leave me envious and unsatisfied? No matter how the neighbor brags, most people don’t volunteer the unvarnished truth about their sexual problems. Jokes, innuendos and public displays of affection are sometimes actually designed to make others jealous.  Pornography has nothing to do with real life.  Women don’t look that way.  Men aren’t that big.  Truly being satisfied with one person will be more difficult if you feed yourself a visual smorgasbord.

 You can find Laurie Watson's book Wanting Sex Again on Amazon, Barnes and Noble or at  bookstores everywhere. Follow her on Facebook and Twitter!

The Best Kept Secret to Highly Successful Couples

According to Adam Grant, Wharton’s most popular and youngest tenured faculty member, author of Give and Take: A Revolutionary Approach to Success, people fall into one of 3 distinct categories: Givers, Matchers and Takers. While Grant’s book is written for a business audience, its theories provide extraordinary insight into romantic relationships. The category you fall into may well determine the success and happiness of your relationship!

For example, has a romantic relationship ever made you feel like you were not good enough? Have you ever been taken advantage of by a romantic partner? Have you ever felt like you gave everything to someone and ended up completely worn out? Then you may just fall into the “Giver” style of romantic partner.

Interestingly, while the Giver style may have its drawbacks, Givers are also usually the most attractive partners and more likely to have long-term relationships! A study examining the trait most highly valued in potential romantic partners suggests a different story: both men and women rate kindness as one of their most desired traits. Moreover, givers are also most likely to be affectionate, a trait which determines the long-term success of a relationship (as I describe in this post ) not to mention their own longevity. n order to understand where you fit in and how to best navigate your relationships with others, here’s a summary of the 3 styles of romantic partners.

3 Styles of Romantic Partners

Givers are people whose primary motivation is to take care of others, to make sure others are well, and to contribute to others and society. In a relationship, these are people who are always thinking about gifts for their partner, who take their partners’ interests into consideration, and who are always thinking “What else can I do for you?” They’re pretty awesome. As Grant mentions in his book—everyone likes having givers around because they are always happy to contribute and thinking of others. They understand the relationship as an opportunity to give and take care.

Givers often end up thinking there is something wrong with them when they are unhappy in a relationship. They are the ones who think they are not lovable or good enough because they take personal responsibility for making the relationship work (rather than blaming their partners). They can end up burned out and exhausted, from continuously giving at their own cost if they do not receive the support they need from the relationship.

Matchers tend to keep a balance sheet in a relationship. When matchers give they do so with an expectation of getting something in return.  When they receive something, they feel like they have to give something back. Matchers are the ones who are keeping tabs, and view relationships as somewhat like a commercial transaction.They are the ones who are most likely to say something like:  “I did this for you, but you didn’t do that for me” or “You paid for this, so I’ll pay for that.” 

Takers are just that…takers. They usually treat people well only if and when those people can help them reach their goals. Interestingly, Grant points out that they often appear as the most charming and charismatic people on the surface. They know how to work the crowd and seduce, but under the surface they are actually motivated by self-interest. You can recognize a taker by how poorly they treat people that they believe are of no use to them. You know you’re in a relationship with a taker when you feel sucked dry for all you have (whether it’s money, affection, time etc.). Once the taker has everything they want from you, you may be relegated to the “unimportant” sphere of their life. Their primary focus is themselves.

So Who is Most Successful and Who is Least Successful?

Grant points out a fascinating fact about who, among these 3 styles, is happiest and most successful: It is givers. What about those who are least successful? Also givers! Why? Givers who learn to successfully navigate a world with matchers and takers make out great. Everyone loves givers, trusts them, and supports them when they are in need. So why are Givers also the least successful? Because some givers don’t know how to navigate that world and, as a consequence, end up taken advantage of. If you’re a giver, you’ve been there at least once both professionally and personally.

Imagine a relationship between a giver and a taker? These end up with the giver completely worn out, having perhaps spent their savings, time and energy on someone who keeps demanding more and never or scarcely provides for their partners’ needs (unless they do so temporarily because it behooves them at that moment).

So what makes a successful giver? Read Adam Grant’s book to get his complete lists of tips. One that stood out to me was the idea of being a “giver with awareness.” Awareness of what? Be aware that the world has givers, matchers and takers. Watch people’s words and actions, and you will know who is who. When you navigate romantic relationships, friendships or business partnerships, investigate which category your potential partner belongs to and don’t get blown away by first-impressions (as noted above, Takers are masters of first-impression charm). Then what? In a non-romantic situation, you can deal with Matchers and Takers by adopting a matcher-like attitude (I know, hard to do for a giver!). Start speaking in terms of “ok, we have an agreement, you do this and in exchange I will do this.”

What about in romantic relationships? I conferred with Adam Grant while writing this article and he shared the following tip about long-term love: “In the most successful relationships, both partners are givers. In other words, when a romantic relationship works, matchers and takers are focused on giving.  Both partners might be giving in different ways, but they should be willing to support each other without expecting something in return. That said, when things get too far out of balance, I think we all become matchers.” Imagine a relationship where both partners are always caring for each other’s needs. Where when there is a fight, both are the first to say “I’m sorry, it was my fault.” In which both live their life with their partner’s best interest in mind. You better believe that matchers and takers are also looking out for givers so, if you’re a giver, be sure you seek one out for yourself too because you deserve it.

If you recognize yourself as a matcher or taker then—first of all—congratulations on being so honest with yourself. Of course, because of givers’ affectionate and service-oriented qualities, it is also in your best interest to have a partner who is a giver. However, I’d like you to consider 2 things:

First, givers will never be fully happy unless you support them as they support you. They will eventually feel worn out and perhaps even leave. In a recent study by Amie Gordon at the University of California-Berkeley, those who experienced more gratitude in their relationship also felt closer to their partner, more satisfied with the relationship and tended to engage in more constructive and positive behaviors within the relationship. Ultimately, for a good relationship that benefits you, you will want your partner to be happy and will want to support them in return.

Second, as Grant’s book clearly outlines, givers are the ones who end up being most successful and happy, if they watch out not to be taken advantage of. A large amount of research now shows that a lifestyle comprised of kindness and service leads to greater fulfillment as well as health and happiness. If you want to be happy and successful, it therefore behooves you too to be or become a giver.

With the Thanksgiving and Christmas holidays coming up, it's a great time to start being a giver! After all, isn't that what love's about?

For more information on Adam Grant’s book, visit this page on Amazon.

For more of my articles on how to make a relationship thrive, see here and here and here.

10 Things To Do Instead of Grounding Your Kid

"Dr. Laura -- Could you write about transitioning to positive discipline for parents of older kids? If I start Empathic Parenting now with my kids 12 and 9, will it still help? How do I all of a sudden "remove" punishment? My 9 year old always says 'Oh now I guess I am grounded.' How do I change his thinking?"
Yes, empathic parenting always helps. Empathy creates a connection with your child. Children of any age, including teenagers, respond to that connection by being more open to  Grounding your child, removing privileges, punishing with extra chores -- all of these approaches are meant to "teach a lesson." But research shows that kids get preoccupied with the unfairness of the punishment, instead of feeling remorse for what they did wrong. The lesson you want to teach, I assume, is that your child can make a better choice next time. You also want to teach that everyone makes mistakes, and your child has the power and courage to make amends. You want him to practice that. Right? Here's how.

 1. First move yourself from anger into empathy. Once your child knows you're on his side, he feels safe to engage with you. Without that sense of safety, your child's heart is hardened to you -- because he expects judgment and punishment -- and you have no influence at all. So just tell him you need some time to think, and get calm before you talk about what happened. (For more on managing your own anger.)

 2. Start with connection. If your child is worried about you getting upset at her, she'll move into "fight, flight or freeze" and learning will shut down. She's also more likely to lie. The only way to actually "teach a lesson" is to create a safe conversation. To do that, remember that your child has a reason for what she did. You may not consider it a good reason, but to her it's a reason. If you don't find out her reason, you can't prevent a recurrence.

 3. Tell your child you want to hear his thoughts about what happened. Then let him talk. Reflect to clarify (and demonstrate) your understanding:

"I see...so the guys really wanted you to play basketball, and it was at the same time as the study session for the test? That's a hard choice."

"Wow! So you and your sister were really furious at each other... you were so hurt when she....I would have been mad too, if someone said that to me......and you really wanted to get back at her, huh?"

 4. Keep your focus on connecting with your child and seeing the situation from his point of view. This helps you, and him, understand what motivated him. This gives him an opportunity to work through the feeling or the unmet need that drove his behavior. Kids always know what the right choice was, but something got in their way. What was it? How can he (with your help) address that so he can make a better choice next time?

For instance, let's say he played basketball with his friends instead of going to the study session, and then failed his test. You might find as you talk with him that he has a lot of anxiety about being accepted by the guys and felt he had to play basketball to be one of the gang. This social anxiety may be something he actually needs your help to sort out and problem-solve about, and once he does he would be a lot more ready to focus on schoolwork.

But by simply punishing him, you would never have even known about it. You would have lost the opportunity to help him address his feelings and find a good solution for next time. In fact, since punishment doesn't help him resolve his conflict, he might very well do the same thing next time, but invent some story to cover himself.

5. Ask open-ended questions. Keep the conversation as safe and as light as possible. If you can share a laugh, you'll defuse the tension and strengthen your bond, so remind yourself that this is a growth experience for both of you, and summon up your sense of humor.

 Was he aware of making a choice?

What led him to that choice?

What does he think about it now?

Was there a cost to making that choice?

Would he do it again?

Why or why not?

How could he support himself to choose differently next time?

 6. Explore and learn with your child, rather than assuming you know what should happen now. Once he isn't being controlled by that unmet need or upsetting feeling, and he sees the result of his action (failed test, hurt sister, broken window, whatever), he feels regretful. This is only after the feelings or needs have been processed, of course. But once they aren't driving him, his "goodness" is free to come through. He naturally wants to make things better.

So you ask him:

What can you do now to make things better?

Did this incident show you anything in your life that you want to change?

How can I support you?

 7. Resist the urge to jump in with punishments. Instead, be quiet and listen. This is not about him being punished and losing privileges and being told what bad things are now going to happen to him. It's about him realizing that what he does has an impact, and taking responsibility to have a positive rather than a negative impact. If you can avoid playing the heavy, your son can actually take responsibility, because he isn't on the defensive.

In the example of the failed test, maybe he makes a written chart about schoolwork, and sits with you to do it every night, and asks the teacher for extra credit work to do, etc. Is that punishment? No, not if this is the plan that he brainstorms with you to come up with. In fact, if you help him actually follow through and partner with him so he can achieve his goals, then it's completely empowering and could transform his ability to achieve in school.

If the bad choice was hurting his sister, then the reparations would be to her. All children have mixed emotions about siblings, but that means there is affection and comradeship in there somewhere, and even protectiveness.

 8. What if he says no repair work is necessary; that he doesn't care if he failed the test and his sister deserved what she got? He's still on the defensive. Say "Oh, Sweetie....I understand why this happened and why you made this choice....but that doesn't mean your choice worked out well...you must still be so upset to say that....I know that when you aren't so upset you would feel differently....Let's give this a break and talk more later." Give him a chance to calm down. When you start talking again, start with empathy. That's what helps him heal those feelings. And model taking responsibility, maybe by saying "I think some of this is my fault...I didn't realize you were falling behind in class, or I would have helped you address it before now."

9. Step into your own power. You as the grown-up have more power than you know in this situation. Your child is depending on your leadership, even if she seems to be resisting it. If she hurt her sister, it gives you an opportunity to address the obvious sibling rivalry. If she failed her test, it gives you an opportunity to consider your family's overall prioritization of schoolwork. When we give our children sufficient support, they usually rise to the level of our expectations. Some kids just need more support than others.

10. Expect an adjustment period. Like any transition, a change in your parenting from punitive to empathic parenting will include both of you learning the new territory. No blame. We all do the best we can as parents. But if you've been punishing, your child was obeying out of fear. Once you stop punishing, she stops obeying. So you need to make it your highest priority to do some repair work on your connection, so she WANTS to cooperate with you, and doesn't want to disappoint you. Otherwise, she'll just flaunt your rules.

But what if she just can't regulate herself to stop fighting with her sister or do her homework? This is where you pay the piper for your previous punishing -- it's likely she has some big upsets stored up that are driving her behavior. Once you aren't punishing, kids feel safer, so the emotions they've been stuffing come pouring out -- sometimes in the form of rudeness toward parents. The key is to stay empathic and not take it personally. Remind her that you speak with respect to her, and that you expect civility in return: "You must be so upset to speak to me that way...What's going on, Sweetie?" Stay compassionate. Welcome her upset feelings. The more safety you can provide, the sooner your child will be willing to cry and share what's really bothering her. Once she empties her emotional backpack of all those uncomfortable feelings she's been lugging around, she'll be much more open to connecting. And because you've stayed compassionate, she'll know you're on her side, and she'll WANT to cooperate, whether she's three or thirteen.

 The hard part is changing your own habits, but luckily you'll see positive changes very quickly so you'll have incentive to keep going. Don't worry about changing your child's thinking. If you change, they change.

What Truly Successful People Know That You Don't

Success is a science; if you have the conditions, you get the result –Oscar Wilde

Decide What’s Most Important

In the information age, there are constant demands on our attention and energy.  We face a barrage of demands that are urgent—that just have to be done by a certain date and time.  These may include doing the laundry, studying for an exam, responding to an e-mail, preparing a presentation, taking the dog for a walk, attending your son’s soccer game, or having Thanksgiving dinner with your relatives. The problem is that by the time you’ve attended to all the urgent things, it’s much more difficult to do the more complex, difficult, uncertain, but important tasks that will really move you forward towards your goals. To get to the next step in your career, find a new job, write a book, or start a small business, you need to put in a lot of time and cognitively intense effort. It all takes planning, research, networking, and preparation of materials. Unless you devote several productive hours to these activities each week, it’s not going to happen. Whereas most of us underestimate the time it will take and overestimate our willpower, successful people are realistic about the effort involved. They are clear about their priorities, have a vision of where they are headed, and are truly committed to these goals. That means they limit the time they put into the urgent stuff and sometimes just do what’s absolutely necessary, so they preserve time for building their dreams.
Do you aspire to be a truly successful person, yet run out of time and energy to get things done? Or perhaps you are performing well at a demanding job, being a supermom, or a straight “A” student, but the stress is getting to you and you know you can’t keep it up. You look enviously at that colleague, boss, or neighbor who seems not to have the same struggles. They have the same time limits and demands as you, but seem so much further  ahead in their career path, or they look fit and relaxed whereas you feel tired-eyed and bedraggled. Do they have boundless energy, superhuman capabilities, or have they figured out the secret of not needing sleep?  The truth is “None of the above.” These successful people have likely figured out the secret of working smarter, rather than harder. They understand the secrets of willpower and know how to schedule their priorities, rather than prioritize their schedule. They manage their stress and nurture their relationships. Read on to find out how you can do this too.

Be Accountable

Successful people understand that it’s not enough just to set goals; you also have to keep track of your progress and create incentives for yourself.  Otherwise it’s all too easy to put off doing the complex and difficult tasks. Changing your habits and routines is a very difficult task, and it takes commitment, effort, and persistence. Research shows we are motivated by short-term rewards and find it difficult to sustain unrewarded effort for long periods if the task isn’t intrinsically satisfying. While following your passion may give you a pleasant sense of accomplishment eventually, you have to put up with the initial uncertainty and feelings of being overwhelmed or not up to the task. The best way to tackle this is to break up larger tasks up into short-term goals, which you track and check off to give you a sense of accomplishment. At the early stages, goals will probably consist of finding information and making contacts. So, instead of beating yourself up for not finishing your first chapter, you can happily check the box for finding a well-written chapter by another author that can guide you in structuring yours.  That way, when you do write your own chapter, you will do so more efficiently and effectively. And a weekly check-in on your progress can help you adjust your goals and estimates to be more realistic, and reinforce your sense of progress and accomplishment.

Some Amazing Facts to Blow Up Your Mind.....Read it Through!!!

 http://kantepur.blogspot.com/2013/11/watch-world-most-comedy-video.html
There are 62,000 miles of blood vessels in the human body. Laid end to end. They would circle the earth 2.5 times.
2. At over 2,000 kilometers long, the Great Barrier Reef is the largest living structure on Earth.
3. The risk of a human being struck by a falling meteorite is one occurrence every 9,300 years.
4. A thimbleful of neutron stars would weigh over 100 million tons.
5. A typical hurricane produces energy equivalent to 8,000 one megaton bombs.
6. Blood sucking hookworms inhabit 700 million people worldwide.
7. The highest speed ever achieved on a bicycle is 166.94 mph by Fred Rompelbeng.
8. We can produce laser light a million times brighter than sunshine.
9. 65% of those autism are left handed.
10. The combined length of the roots of a Finnish pine tree is over 30 miles.
11. The oceans contain enough salt to cover all the continents to a depth of nearly 500 feet.
12. The interstellar gas cloud Sagittarius B contains a billion, billion, billion liters of alcohol (JF rater is planning to move there in the near future.
13. Polar bears can run at 25 miles an hour and jump over 6 feet in the air.
14. 60-65 million years ago, dolphins and humans shared a common ancestor.
15. Polar bears are nearly undetectable by infrared cameras, due to their transparent fur.
16. The average person accidentally eats 430 bugs each year of his life.
17. A single rye plant can spread up to 400 miles of roots underground.
18. The temperature on the surface of Mercury exceeds 430 degrees celsius during the day, and at the night, plummets to minus 180 degrees celsius.
19. The evaporation from a large oak or beech tree is from ten to twenty-four hours.
20. Butterflies taste with their hind feet and their taste sensation works on touch. This allows them to determine whether a leaf is edible.

рдорд╣िрд▓ाрдХो рдкрд╕िрдиाрд▓े рдкुрд░ुрд╖ рдк्рд░рднाрд╡िрдд

The teacher speaking to a student said, "Saud, name two pronouns."
Saud who suddenly woke up, said, "Who, me?"

Teacher: Today, we're going to talk about the tenses. Now, if I say "I am beautiful," which tense is it?
Student: Obviously it is the past tense.

Q: What is orange and sounds like parrot?
A: A carrot


Q: Can a kangaroo jump higher than the Empire State Building?
A: Yes, because the Empire State Building can't jump!

рдоेрд░ो рддрд▓ рдаूрд▓ो рднрдПрд░ рдиै рдЙрд╕рдХो рд▓िрдЩ्рдЧ рдкूрд░ै рди рдЦुрд▓ेрдХो рдд рд╣ोрдЗрди ? рдХे рдЧрд░्рджा рдЙрд╕рдХो рд▓िрдЩ्рдЧ рдкूрд░ै рдЦुрд▓्рдЫ ?

- A woman gets on a bus with her baby. The bus driver says: ''Ugh, that's the ugliest baby I've ever seen!'' The woman walks to the rear of the bus and sits down, fuming. She says to a man next to her: ''The driver just insulted me!'' The man says: ''You go up there and tell him off. Go on, I'll hold your monkey for you.''

- A young blonde woman is distraught because she fears her husband is having an affair, so she goes to a gun shop and buys a handgun. The next day she comes home to find her husband in bed with a beautiful redhead. She grabs the gun and holds it to her own head. The husband jumps out of bed, begging and pleading with her not to shoot herself. Hysterically the blonde responds to the husband, ''Shut up...you're next!''

http://cocktime.blogspot.com/2013/10/blog-post_6392.html

рдм्рд░ा рдЦोрд▓्рдиुрд╕ рдк्рд▓िрдЬ (рдлोрдЯोрдлिрдЪрд░)

рдм्рд░ा рдорд╣िрд▓ाрдХो рдЕрди्рддःрд╡рд╕्рдд्рд░ рд╣ो рдпो рд╕рд░्рд╡рд╡िрджिрддै рдЫ । рддрд░, рдХрд╕ैрд▓े рдм्рд░ा рд╕ंрдХрд▓рди рдЧрд░िрд░рд╣ेрдХो рдЫ рдпो рднрдиे рдЖрд╢्рдЪрд░्рдпрдХो рдХुрд░ा рд╣ो । рдХрд╕ैрд▓े рдпрд╣ी рдорд╣िрд▓ाрдХो рдЕрди्рддःрд╡рд╕्рдд्рд░ рд╕ंрдХрд▓рди рдЧрд░िрд░рд╣ेрдХो рдЫ рднрди्рдиे рд╕ुрди्рджा рдЕрдиौрдаो рд▓ाрдЧ्рдиु рд╕्рд╡рднाрд╡िрдХै рд╣ो ।
рдпрд╕рд░ी рдорд╣िрд▓ाрдХो рдм्рд░ा рд╕ंрдХрд▓рди рдЧрд░ेрд░ рдкрдЫि рдкрд╕рд▓ рдЦोрд▓्рдиे рд╣ो рдд ? рдпा рдоाрдирд╕िрдХ рд░ुрдкрдоा рдкाрдЧрд▓ рд╣ो ? рд╡ा рдЙрд╕рдоा рдпौрдирд╕рдо्рдмрди्рдзी рдХुрдиै рд╕рдорд╕्рдпा рдЫ ? рдЬो рдпрд╕्рддो рдЦाрд▓े рдоुрд░्рдЦрддा рдЧрд░िрд░рд╣ेрдХो рдЫ । рддрд░, рдпрд╣ाँ рдХрдеा рдЕрд░्рдХै рдЫ । рдпी рдм्рд░ा рд╕ंрдХрд▓рди рди рдоाрдирд╕िрдХ рд░ोрдЧी рд╣ुрди् рди рдд рдпौрди рд░ोрдЧी рдиै ।
рдпो рдШрдЯрдиा рди्рдпुрдЬिрд▓्рдпाрдг्рдбрдХो рд╣ो । рд╡िрджेрд╢рдоा рдпрд╕्рддा рдЕрдЬрдмрдЧрдЬрдм рдШрдЯрдиा рднрдЗрд░рд╣рди्рдЫрди् । рди्рдпुрдЬिрд▓्рдпाрдг्рдбрдХो рдУрдЯрдЫाрдЧोрдХा рдорд╣िрд▓ाрд╣рд░ुрд▓ाрдИ рдЖрдлूрд╕ँрдЧ рднрдПрдХो рдХुрдиै рдкрдиि рдк्рд░рдХाрд░рдХो рдм्рд░ा рджिрди рдЖрдЧ्рд░рд╣ рдЧрд░िрдПрдХो рдеिрдпो। рдорд╣िрд▓ाрд╣рд░ुрд▓े рдкрдиि рдпो рдХाрд░्рдпрдХ्рд░рдордоा рдЙрдд्рд╕ाрд╣рдХा рд╕ाрде рднाрдЧ рд▓िрдП ।

рдпो рд╕рдм рд╡िрд╢्рд╡ рд░ेрдХрд░्рдб рдмрдиाрдЙрдирдХा рд▓ाрдЧि рдЧрд░िрдПрдХो рд╣ो । рдд्рдпрд╕ैрдХा рд▓ाрдЧि рдд्рдпрд╣ाँ рдбाрд░рдЧेрд╡िрд▓े рдЧाрдЗрдб рд▓िрдбрд░ рд░рд╡िрди рдоाрд░्рдЯिрдиोрд╡िрдХрд▓े рдпрд╕рд░ी рдм्рд░ा рдХрд▓ेрдХ्рд╕рди рдЖрдпोрдЬрдиा рдЧрд░ेрдХा рд╣ुрди् । рдпрд╕рдХो рдЙрдж्рджेрд╢्рдп рдоाрдиिрд╕рдоा рд╕्рддрди рдХ्рдпाрди्рд╕рд░рдк्рд░рддि рдЬाрдЧрд░ुрдХ рдЧрд░ाрдЙрдиु рдеिрдпो । рд╕ाрдеै рдпो рд░ेрдХрд░्рдб рдмрдиाрдЙँрджा рдЬрдо्рдоा рд╣ुрдиे рд░рдХрдо рдХ्рдпाрди्рд╕рд░ рдкीрдбिрддрдХो рд╕рд╣рдпोрдЧрдХा рд▓ाрдЧि рдЙрдкрдпोрдЧ рдЧрд░्рдиु рдеिрдпो । рдпो рдХाрд░्рдпрдХ्рд░рдорд▓ाрдИ рдм्рд░ेрд╕्рдЯ рдХ्рдпाрди्рд╕рд░ рдкिрди्рдХ рд░िрдмрд▓ рдЕрдкिрд▓ рдиाрдо рджिрдЗрдПрдХो рдеिрдпो । рдХाрд░्рдпрдХ्рд░рдордоा ренрекреорел рд╡рдЯा рдм्рд░ा рд╕ंрдХрд▓рди рдЧрд░ेрд░ рекрепрежрек рдоिрдЯрд░ рд▓ाрдоो рдЪेрди рдмрдиाрдЗрдПрдХो рдеिрдпो । рдпрд╕рдЕрдШि рдЕрд╕्рдЯ्рд░ेрд▓िрдпाрдоा резремрем,режрежреж рдм्рд░ा рд╕ंрдХрд▓рдирдХो рд░ेрдХрд░्рдб рдХाрдпрдо рдЫ । рдЧिрдиिрдЬ рдмुрдХрдоा рдпो рд░ेрдХрд░्рдб рдЙрд▓्рд▓ेрдЦ рдЧрд░िрдПрдХो рдЫ । рдПрдЬेрди्рд╕ी -

Are you wearing the right bra size?

 A century after the invention of the bra, most women are still wearing the wrong size. Here's how to get the perfect fit.

A bra that doesn't fit well can spoil the look of the most expensive dress in your wardrobe.

3 Simple steps to the perfect fit

1. Throw away your measure tapes
Measuring your bust is not the key to getting a great fit. Stand by the mirror and start by taking a look at how your bra fits you and then consider whether you need to adjust your back size or cup size following steps 2 and 3.

2. Find the right back size (28-40)
The back size relates to how the bra fits around your body. The band around your body provides most of the support, so it should be firm but comfortable. It should be horizontal and not ride up at the back at all. If it is loose, or it rides up at the back, try a smaller back size (but remember to increase your cup size). Your bra will stretch with wash and wear, so we recommend a new bra that fits you when fastened on the loosest (outside) hook.

3. Find the right cup size (D-L)
The cup size relates to the volume of your breasts. The wires at the front should lie flat against your rib cage and should not dig in, rub or poke out at the front. Your breasts should be enclosed in the cups and you should have a smooth line where the fabric at the top of the cup ends and meets your bust. You shouldn't have any ridge or bulging over the top or sides of the cups, even if you are wearing a balconette style or lower cut shape.

Why you should choose a well-fitted bra
When your bra back or cup size are right, you will get great support that will give your upper body a good shape and protect your neck, shoulder and back muscles

7 Classic bra faux pas

The Quadraboob
Q: Are your breasts spilling over the cups?
A: The cup size of your bra is too small. You could try a bigger cup size.

The Superdrooper
Q: Do you feel your breasts aren't getting the support they deserve?
A: The back of your bra is too big and your straps may be too loose. Try a smaller back size.

The Ledge
Q: Does your bra give you over
uplift transforming your breasts into something that resembles a shelf?
A: It's likely the bra cups and back size are too small. Try a size bigger.

The side boob
Q: Are the wires in the side of your bra cup sitting on your breast rather than your ribcage?
A: It's likely that the cup size is too small. Try a cup size bigger.

The big stand off
Q: Does the front of your bra not sit flat on your sternum or breastbone?
A: The back size of your bra is too big. Try going down a size.

The high rider
Q: Is the back of the bra riding up?
A: The back size of your bra is too big. A small backsize should help this.

The Right Way To Work On The Weekend (If You Absolutely Must)

 More than eight in 10 Americans are stressed about their jobs, and yet we're not taking the time we need to de-stress. Eighty-one percent of employed Americans check their work email on weekends and 55 percent visit their inboxes after 11 p.m., according to an Opinion Matters survey, and one-third say that they respond to emails at work within 15 minutes.

Most of us, most of the time, live in a gray zone of sorts between work and leisure. We're not fully focused when we're working -- with smartphones, email alerts and social media constantly vying for our attention -- and when we're "relaxing" on the weekend, we're still plugged in to work. But being smart about how you spend your weekends could make you happier and more productive.

"There are 60 hours between that 6 p.m. Friday beer and that 6 a.m. Monday alarm clock," "168 Hours" author Laura Vanderkam writes in a Fast Company blog. "That’s plenty of time for fun, relaxation and more importantly, recharging the batteries. In our competitive world, successful people know that great weekends are the secret to workday success. You want weekends that leave you refreshed, not exhausted or disappointed."

Of course, it's preferable to use the full weekend for relaxing and recharging. But if your job does require that you get some work done during your time off, here's the right way to go about it.

Turbo-charge one hour of work.
It can be easy to graze on work email throughout the weekend, especially when you're getting messages from your boss -- which most employees are. Close to two-thirds of workers say their bosses send email over the weekend and expect a response, according to a 2011 Right Management survey, as reported by Forbes.

Interface Inc. CEO Daniel Hendrix told the New York Times that he had been working 24/7 when his then-boss sparked an epiphany about overworking on the weekends.

"The company brought in a president above me who was really charismatic and dynamic," Hendrix said to the Times. "One day he was in the office on a Sunday and he said: 'Every time I’m in here on Sunday, you’re in here working. I’m not impressed by somebody who can’t get their job done in five days. I’m really not. It’s about balance.'"

When we don't relax on the weekends, we have a hard time recovering from the stress of the workweek. The solution? Rather than sending emails here and there throughout your 72 hours off, set aside one hour on Saturday or Sunday to get it all done -- and save the rest of the weekend for relaxing. Stick to the schedule and resist the urge to take a peek at your inbox outside that hour.

Be intentional with your energy.
According to Tony Schwartz, CEO of The Energy Project and author of "The Way We're Working Isn't Working," applying a “fierce intentionality” to all that we do can benefit both our work and personal lives.

"That means that when you're working, you're really working; and when you're renewing and refueling, you're really renewing," Schwartz said at HuffPost's Third Metric conference in June.

Save it for Sunday night.
Many successful CEOs and business leaders say that they do this by setting aside one specific hour or chunk of time for work, and unplugging for the rest of the weekend. Often it's Sunday night -- so that you can start work on Monday morning feeling caught up -- but any quiet pocket of time will do the trick.

“I save everything up until Sunday night,” SurveyMonkey CEO Dave Goldberg told Business Insider in May, “because if I start sending emails on Saturday afternoon, then people have to start responding to me on Saturday afternoon and Sunday morning.”

Disable your phone's email function.
If your job allows, disabling the email function on your smartphone can ensure that you apply intentionality to your weekend work, only sending emails during the allotted time when you're home and in front of your computer. When you have emails constantly popping up on your phone, it's likely that you'll be tempted to answer them.

рд╕рдмैрдХो рд▓ाрдЧि рд░ोрдЪрдХ рдЬाрдирдХाрд░ी

рднिрдбिрдУ рдк्рд▓े рдЧрд░्рди рдоाрдеि рдХो рдмोрдХ्рд╕ рднिрдд्рд░ double click рдЧрд░्рдиुрд╣ोрд╕् !

 рдЬाрдиी рд░ाрдЦрдиे рдХुрд░ा :
рдпрд╕ рдзрд░рддीрдоा рд░ुрдЦ рдмिрд░ुрд╡ाрдХो рдХे рдХрддि рдорд╣рдд्рд╡ рд░ рдЖрд╡рд╢्рдпрдХ рдЫ, рдд्рдпो рд╣ाрдоी рд╕рдмैрд▓ाрдИ рдеाрд╣ा рднрдПрдХै рдХुрд░ा рд╣ो рддрд░ рдпрд╣ी рдзрд░рддीрдоाрднрдПрдХा рдЕрдиौрдаो рд░ рдЙрдкрдпोрдЧी рдЧुрдгрдХाрд░ी рд░ुрдЦ рд╣ाрд▓рд╕рдо्рдо рдкрдиि рдЖрдо рдоाрдиिрд╕рд▓े рдЙрдкрдпोрдЧ рдЧрд░्рджै рдЖрдЗрд░рд╣ेрдХा рдЫрди् । рдд्рдпрд╕рдордз्рдпेрдоा рдкрдиि рдЖрд╢्рдЪрд░्рдпрд▓ाрдЧ्рджो рдЕрдиौрдаो рд░ुрдЦ рдкрдиि рдЫрди्, рдЬुрди рд╣ाрдо्рд░ो рдХрд▓्рдкрдиाрдХो рд╕ंрд╕ाрд░рдмाрдЯ рдЯाрдвाрдХो рдХुрд░ा рд╣ुрди рд╕рдХ्рдЫ । рдпрд╕्рддै рдЕрдиौрдаो рд░ुрдЦрдХो рдмाрд░ेрдоा рдпрд╣ाँ рдЪрд░्рдЪा рдЧрд░्рджैрдЫु ।
рез. рд╕рд░्рд╡рдд рджिрдиे рд░ुрдЦः рдЕрд╕्рдЯ्рд░ेрд▓िрдпाрдХो рдХ्рд╡िрд╕рд▓्рдпाрди्рдб рд╕рд╣рд░рдоा рдПрдЙрдЯा рд╡िрд╢ाрд▓ рд░ुрдЦ рдЫ, рдЬрд╕рдХो рдЖрдХाрд░ рдмोрддрд▓ рдЬрд╕्рддै рдЫ । рдпрд╕्рдХो рдЙрдЪाрдИ резрел рдоिрдЯрд░ рд░ рдлेрджрдХो рдоोрдЯाрдЗ рео рдоिрдЯрд░ рдЫ । рдпрд╕ рд░ुрдЦрдХो рдлेрджрдоा рдХाрдЯेрд░ рд╣ेрд░्рдиे рд╣ो рднрдиे рдпрд╕рдмाрдЯ рд╕рд░्рд╡рдд рдЬрд╕्рддै рдоीрдаो рд░ рд╕्рд╡ाрджिрд╖्рдЯ рд░рд╕ рдиिрд╕्рдХрди्рдЫ ।
реи. рджूрдз рджिрдиे рд░ुрдЦः рджрдХ्рд╖िрдг рдЕрдоेрд░िрдХाрдоा рдкाрдЗрдиे рднेрдиेрдЬुрдПрд▓ा рдо्рдпाрдЬिрдХ рдЯि्рд░ (рдЬाрджूрдХो рд░ुрдЦ) рдиाрдордХ рд░ुрдЦрд▓े рдЧाрдИ рднैंрд╕ीрдХो рдЬрд╕्рддै рджूрдз рджिрдиे рдЧрд░्рдЫ । рдпрд╕ рд░ुрдЦрд▓ाрдИ рджिрдирдоा рджुрдИ рдкрдЯрдХрд╕рдо्рдо рджुрд╣िрдиे рдЧрд░िрди्рдЫ । рд╕ाрдиा-рд╕ाрдиा рд╣ाँрдЧाрд▓ाрдИ рдеोрд░ै рдеोрд░ै рдХाрдЯ्рджा рдд्рдпрд╣ाँрдмाрдЯ рджूрдзрдЬрд╕्рддो рдеोрдкा рдиिрд╕्рдХрди्рдЫ рдЬрд╕рд▓ाрдИ рддрддाрдПрд░ рдЦाँрджा рдЧाрдИ рднैंрд╕ीрдХो рджूрдзрдЬрд╕्рддै рдкोрд╖िрд▓ो рдоिрдаाрд╕ рд╣ुрди्рдЫ । рдпрд╕्рддै рдм्рд░ाрдЬिрд▓рдХो рдШрдиा рдЬंрдЧрд▓рдоा ‘рдХाрдЙ рдЯि्рд░’ рдиाрдордХ рд░ुрдЦ рдкाрдЗрди्рдЫ । рдпрд╕рдХो рд╣ाँрдЧाрдоा рдк्рд╡ाрд▓ рдкाрд░्рджा рдЧाрдИ рднैंрд╕ीрдХो рдЬрд╕्рддै рдкौрд╖्рдЯिрдХ рджूрдз рдиिрд╕्рдХрди рдеाрд▓्рдЫ । рдд्рдпрд╕्рддो рджूрдзрд▓ाрдИ рдЬрдЩ्рдЧрд▓рд╡ाрд╕ी рднाँрдбाрдоा рдЬрдо्рдоा рдЧрд░ेрд░ рдордЬाрд╕ँрдЧ рдкिрдЙрдиे рдЧрд░्рджрдЫ । рдм्рд░ाрдЬिрд▓рд╡ाрд╕ी рдпрд╕्рддो рджूрдзрдоा рдПрдХ рдк्рд░рдХाрд░рдХो рдЬрдЩ्рдЧрд▓ी рдФрд╖рдзि рдк्рд░рдпोрдЧ рдЧрд░ेрд░ рдзेрд░ै рджिрдирд╕рдо्рдо рд╕ुрд░рдХ्рд╖िрдд рд░ाрдЦ्рдЫрди् рдЕрдиि рдЖрдлूрд▓ाрдИ рдЦाँрдЪो рдкрд░ेрдХो рдмेрд▓ाрдоा рдд्рдпрд╕рд▓ाрдИ рдк्рд░рдпोрдЧрдоा рд▓्рдпाрдЙँрдЫрди् ।
рей. рдкрдЩ्рдЦा рд╡ाрд▓ा рд░ुрдЦ: рдПрд╕िрдпाрдоा рдкाрдЗрдиे рдПрдХрдк्рд░рдХाрд░рдХो рд╕ाрдиोрдЦाрд▓े рд░ुрдЦрд▓ाрдИ рдЯेрд▓िрдЧ्рд░ाрдл рдЯि्рд░ рднрдиिрди्рдЫ । рдХिрдирдХि рдпрд╕рдХा рдкाрддрд╣рд░ू рдмिрд▓्рдХुрд▓ै рд╣ाрд╡ा рдирдЪрд▓ेрдХो рдмेрд▓ाрдоा рдкрдиि рдл्рдпाрдЯ-рдл्рдпाрдЯ рдЧрд░ी рдлрдб्рдХाрдЗрд░рд╣рди्рдЫрди् । рдоाрдиौं рдпिрдирд▓े рдкрдЩ्рдЦा рд╣рд▓्рд▓ाрдЗрд░рд╣ेрдХा рдЫрди् । рдоाрдиिрд╕ рдпрд╕ рд░ुрдЦ рдоुрдиि рдмрд╕ेрд░ рд╢ीрддрд▓рддा рд▓िрдиे рдЧрд░्рджрдЫ ।
рек. рдЙрдЬ्рдпाрд▓ो рджिрдиे рд░ुрдЦ: рдЪीрдирдХो рд╣ुрдиाрди рдк्рд░ाрди्рддрдоा рдкाрдЗрдПрдХो рдПрдХ рд░ुрдЦрдХो рдк्рд░рдд्рдпेрдХ рд╣ाँрдЧाрдмिрдЩ्рдЧाрдмाрдЯ рдЙрдЬ्рдпाрд▓ो рдк्рд░рд╕्рдлुрдЯिрдд рд╣ुрди्рдЫ । рдпो рд░ुрдЦрдХो рдПрдХ рдЯुрдХ्рд░ा рдмोрдХ्рд░ा рдоाрдд्рд░ рдкрдиि рдХोрдаाрдоा рд░ाрдЦिрдпो рднрдиे рдк्рд░рдХाрд╢рдордп рд╣ुрди्рдЫ । рдХुрди рдХाрд░рдгрд▓े рдЧрд░्рджा рдпो рд░ुрдЦрдмाрдЯ рдк्рд░рдХाрд╢ рдЖрдЙँрдЫ ? рднрди्рдиे рдХुрд░ा рдЖрдЬрд╕рдо्рдо рдкрдиि рд╡ैрдЬ्рдЮाрдиिрдХрд▓े рдкрдд्рддा рд▓рдЧाрдЙрди рд╕рдХेрдХा рдЫैрди । рдпрд╕्рддै ‘рд╕ोрдо рдФрд╖рдзि’ рдиाрдордХ рдпो рд░ुрдЦ рд╣िрдоाрд▓рдХो рдЖрд╕рдкाрд╕рдоा рдкाрдЗрди्рдЫ, рдЬрд╕рд▓े рд░ेрдбिрдпрдордХो рдЬрд╕्рддो рдЙрдЬ्рдпाрд▓ो рдк्рд░рдХाрд╢ рджिрди्рдЫ । рдпрд╕ рд░ुрдЦрдоा рд╢ुрдХ्рд▓ рдкрдХ्рд╖ рд╢ुрд░ु рднрдПрдкрдЫि рдк्рд░рдд्рдпेрдХ рджिрди рдПрдХ-рдПрдХ рд╡рдЯा рдкाрдд рдердкि्рд░рджै рдЬाрди्рдЫрди् । рдкूрдгिрд░्рдоाрдХो рджिрдирд╕рдо्рдордоा рдердкिрдПрдХा рдкाрддрдХो рд╕рдЩ्рдЦ्рдпा резрел рдкुрдЧ्рдЫ । рдпрд╕рд░ी рдиै рдХृрд╖्рдгрдкрдХ्рд╖ рд╕ुрд░ु рднрдПрдкрдЫि рдк्рд░рдд्рдпेрдХ рджिрди рдПрдЙрдЯा рдкाрдд рдЭрд░्рджै рдЬाрди्рдЫ рд░ рдФंрд╕ीрдХो рджिрдирд╕рдо्рдордоा рдд्рдпрд╕ рд░ुрдЦрдоा рдПрдЙрдЯा рдкрдиि рдкाрдд рд░рд╣ँрджैрдирди् ।
рел. рдоाрдирд╡рд░ूрдкी рд░ुрдиे рд░ुрдЦ: рдЕрдл्рд░िрдХी рджेрд╢рд╣рд░ूрдоा рдкाрдЗрдиे ‘рд╕ेрд░ाрдЩ्рдХ’ рдиाрдордХ рд░ुрдЦрдХो рдмрдиाрд╡рдЯ рдоाрдиिрд╕рд╕ँрдЧ рдоिрд▓्рджрдЫ । рдпрд╕ рд░ुрдЦрдХो рдЕрд░्рдХो рд╡िрд╢ेрд╖рддा рдХे рдЫ рднрдиे рдпрд╕рд▓ाрдИ рдХाрдЯ्рджा рд╡ा рдЙрдЦेрд▓्рджा рдоाрдиिрд╕рд▓े рдЬрд╕्рддै рдЖрд╡ाрдЬ рдиिрдХाрд▓ेрд░ рд░ुрдиे рдЧрд░्рджрдЫ । рдпрд╕्рддै рдХेрдирд░ी рдж्рд╡ीрдкрдоा рдкाрдЗрдиे ‘рд▓ाрдЙрд░े рдордг्рдбрдХ’ рд░ुрдЦ рдЯाрдвाрдмाрдЯ рд╣ेрд░्рджा рдоाрди्рдЫे рдЬрд╕्рддो рджेрдЦिрди्рдЫ । рдпрд╕рд▓ाрдИ рдХाрдЯ्рди рд╡ा рдЙрдЦेрд▓्рди рдЦोрдЬ्рджा рдмाрд▓рдХ рд░ोрдП рдЭैं рд░ोрдПрдХो рдЖрд╡ाрдЬ рдЖрдЙँрдЫ । рдпрд╕्рддै рдЕрдоेрд░िрдХाрдХो рдоिрд╕िрдЧрди рдк्рд░ाрди्рддрдХो рдЖрд▓ो рдХ्рд▓ाрд░्рдХ рдиाрдордХ рд╡्рдпрдХ्рддिрдХो рдмрдЧैंрдЪाрдоा рдПрдХ рдпрд╕्рддो рд░ुрдЦ рдЫ, рдЬुрди рдЭрдЯ्рдЯ рд╣ेрд░्рджा рдоाрдиिрд╕рдХो рдЖрдХृрддिрд╕ँрдЧ рда्рдпाрдХ्рдХै рдоिрд▓्рджрдЫ । рдпрд╕ рд░ुрдЦрдоा рдоाрдиिрд╕рдХो рдЬрд╕्рддै рд╣ाрдд, рдЦुрдЯ्рдЯा, рдЯाрдЙрдХो рдЫ । рдд्рдпрддि рдоाрдд्рд░ рд╣ोрдЗрди рдЯाрдЙрдХोрдоा рдЯोрдкी рдкрдиि рд▓рдЧाрдПрдХो рдЬрд╕्рддो рджेрдЦिрди्рдЫ рднрдиे рджाрд╣िрдиे рд╣ाрддрдоा рд╕ाрдиो рдЫрдбी рдкрдиि рд▓िрдП рдЬрд╕्рддो рджेрдЦिрди्рдЫ ।
рем. рдкाрддрдмिрдиाрдХो рд░ुрдЦ: рд╡рдирд╕्рдкрддिрд▓े рдкाрддрдмाрдЯ рд╕ाрд╕ рдлेрд░्рдЫрди् рдпो рд╣ाрдоी рд╕рдмैрд▓ाрдИ рдеाрд╣ा рднрдПрдХै рдХुрд░ा рд╣ो । рддрд░ рдк्рд░рдХृрддिрдоा рдПрдЙрдЯा рдпрд╕्рддो рдкрдиि рд░ुрдЦ рд╣ुрди्рдЫ, рдЬрд╕рдоा рдПрдЙрдЯा рдкрдиि рдкाрдд рд╣ुँрджैрди । рдЕрдЩ्рдЧ्рд░ेрдЬीрдоा рд░рд╕्рдХो рдПрдХ्рдпुрд▓ेрдЯ्рд╕ рднрдиेрд░ рдЪिрдиिрдиे рдПрдХрдк्рд░рдХाрд░рдХो рд╡рдирд╕्рдкрддिрдоा рдкाрдд рд╣ुँрджैрдирди् । рддрд░ рдпрд╕рдХा рд╣ाँрдЧाрд╣рд░ू рдиै рдкाрддрдХो рдЖрдХाрд░рдоा рдмрдиेрдХा рд╣ुрди्рдЫрди् । рдпрд╕рдоा рдлूрд▓ рдкрдиि рдпिрдиै рдкाрддрдЬрд╕्рддो рдмрдиेрдХा рд╢ाрдЦाрдХा рдмीрдЪрдмाрдЯ рдиिрд╕्рдХрди्рдЫ ।
рен. рд╕िрдпो рдзाрдЧोрдпुрдХ्рдд рд░ुрдЦ: рдЬंрдЧрд▓рдоा рдШुрдо्рджाрдШुрдо्рджै рдХрддै рдЖрдлूрд▓े рд▓рдЧाрдПрдХो рд▓ुрдЧा рдЙрдн्рд░े рдЕрдерд╡ा рдЪ्рдпाрддिрдП рднрдиे рдЖрдлूрд╕ँрдЧ рд╕िрдпो рдзाрдЧो рдирд╣ुँрджा ‘рд╕ेрди्рдЪुрд░ी рдк्рд▓ाрди्рдЯ’ рдиाрдордХ рд░ुрдЦ рднेрдЯिрдПрдоा рд▓ुрдЧा рд╕рд╣рдЬै рд╕िрдЙрди рд╕рдХिрди्рдЫ । рдпрд╕рдХो рд░ुрдЦрдХा рд╣ाँрдЧा рдоोрдЯा рдЦाрд▓े рдкाрдд рдЧुрдЪ्рдЫाрдХा рд░ूрдкрдоा рд╣ुрди्рдЫрди् । рдкाрддрдХा рдЯुрдк्рдкा рд╕िрдпोрдЬрд╕्рддै рддिрдЦा рд░ рдХрдбा рд╣ुрди्рдЫрди् । рдХुрдиै рдкाрддрд▓ाрдИ рдлेрджैрдоा рдкрдЯ्рдпाрдХ्рдХ рднाँрдЪेрд░ рдЯुрдк्рдкो рднрдПрдХो рдаाрдЙँрднрди्рджा рддрд▓ рдПрдЙрдЯा рдвुрдЩ्рдЧाрд▓े рдХिрдЪ्рдиे рдмिрдд्рддिрдХै рдкाрддрдоा рд░рд╣ेрдХो рджрд░िрд▓ो рдоोрдЯो рднाрдЧ рдкрдХ्рд▓рдХ्рдХ рдЙрдХिрди्рдЫ рд░ рдЯुрдк्рдкो рдЬрд╕्рддाрдХो рддрд╕्рддै рд░рд╣рди्рдЫ рддрд░ рдЯुрдк्рдкрд╕ँрдЧ рдЧाँрд╕िрдПрд░ рднिрдд्рд░ि рд░рд╣ेрдХो рдзाрдЧो рдпрдеाрд╡рдд् рд░рд╣рди्рдЫ рд░ рдд्рдпрд╕ैрд▓े рд▓ुрдЧा рд╕िрдЙрди рдоिрд▓्рдЫ ।
рео. рдоैрдирдмрдд्рддी рджिрдиे рд░ुрдЦ: рджрдХ्рд╖िрдг рдЕрдл्рд░िрдХाрдоा рдПрдЙрдЯा рдпрд╕्рддो рд░ुрдЦ рдкाрдЗрди्рдЫ, рдЬрд╕рд▓े рдоैрдирдмрдд्рддीрдХो рдХाрдо рдЧрд░्рджрдЫ । рдпोрд░ुрдЦрдХो рд╣ाँрдЧाрдмाрдЯ рез.рел рдоिрдЯрд░ рдЬрддि рд▓ाрдоो рд╕рд▓ाрдЗрдХो рдЬрд╕्рддै рдоोрдЯो рдХाँрдЯी рдиिрд╕्рдХिрдПрдХो рд╣ुрди्рдЫ । рдд्рдпो рджेрдЦ्рджा рдоैрдирдмрдд्рддी рдЬрд╕्рддो рджेрдЦिрдиे рдоाрдд्рд░ рдирднрдПрд░ рдоैрдирдмрдд्рддी рдЬрд╕्рддै рдмрд▓्рдиे рдХाрдо рдкрдиि рдЧрд░्рджрдЫ । рдпрд╕्рддै рдордз्рдп рдЕрд╖्рдЯ्рд░ेрд▓िрдпाрдоा рдкाрдЗрдиे рдПрдХрдк्рд░рдХाрд░рдХो рд╡рдирд╕्рдкрддिрдоा рдЬुрди рдлूрд▓ рдлुрд▓्рджрдЫ, рдд्рдпो рд╣ेрд░्рджा рдоैрдирдмрдд्рддी рдЬрд╕्рддै рд╣ुрди्рдЫ । рдд्рдпрд╕ैрд▓ेрд▓ाрдИ рдЕрдЩ्рдЧ्рд░ेрдЬीрдоा рдХ्рдпाрди्рдбिрд▓ рд╕्рдЯिрдХ्рд╕ рдЕрдл рджрд╕рди् рднрдиिрди्рдЫ । рддрд░ рдпो рдлूрд▓ рдПрдХ рдмोрдЯрдоा рд╕ाрдд рд╡рд░्рд╖рдоा рдПрдХрдкрд▓्рдЯ рдоाрдд्рд░ рдиिрд╕्рдХрди्рдЫ ।
реп. рдЕрди्рдзो рдкाрд░्рдиे рд░ुрдЦ: рдПрдм्рд╕िрдиिрдпाрдоा рдкाрдЗрдиे рдЕрд╕्рдХрд▓ेрдкिрдпाрд╕ рдиाрдордХ рд░ुрдЦрдХो рдкाрддрдмाрдЯ рдиिрд░рди्рддрд░ рджूрдз рдЬрд╕्рддो рдПрдХрдк्рд░рдХाрд░рдХो рд╕ेрддो рдЭोрд▓ рдмрдЧिрд░рд╣рди्рдЫ । рдпो рдЭोрд▓ рдЖँрдЦाрдоा рдЕрд▓िрдХрддि рдоाрдд्рд░ рдкрд░े рдкрдиि рдоाрдиिрд╕ рдЕрди्рдзो рд╣ुрди्рдЫ । рдпो рд░ुрдЦрдХो рджाрдЙрд░ा рдЪिрд░्рджा рджाрдЙрд░ा рдЫोрдПрдХो рд╣ाрддрд▓े рдЖँрдЦा рдоिрдЪ्рдпो рднрдиे рдкрдиि рдоाрдиिрд╕ рдЕрди्рдзो рд╣ुрди рд╕рдХ्рдЫ । рдпрд╕्рддै рд╡ेрд╕्рдЯ рдЗрди्рдбिрдпрдирдоा рдкाрдЗрдиे ‘рдоाрди्рдЪिрдиीрд▓’ рднрди्рдиे рд░ुрдЦ рдкрдиि рд╕ाрд╣्рд░ै рдбрд░рд▓ाрдЧ्рджो рд╣ुрди्рдЫ । рдпрд╕рдХो рд░рд╕рдХो рд╕рдо्рдкрд░्рдХрдоा рдЖрдЙрдиे рдЕрди्рдзा рд╣ुрди्рдЫрди् рд░ рдпрд╕ рд░ुрдЦрдХो рдЫрд╣ाрд░ीрдоा рд░ाрддрднрд░ी рд╕ुрдд्рдиे рдоाрдиिрд╕ рдорд░ेрдХा рдкрдиि рдЫрди् ।
резреж. рдХрдкрдбा рджिрдиे рд░ुрдЦ: рди्рдпुрдЬिрд▓्рдпाрди्рдбрдоा рдкाрдЗрдиे ‘рд▓ेрд╕ рд╡ाрд░्рдХ рдЯि्рд░’ рдиाрдордХ рд░ुрдЦрдмाрдЯ рдХрдкрдбा рдк्рд░ाрдк्рдд рдЧрд░्рди рд╕рдХिрди्рдЫ । резреж рдоिрдЯрд░рд╕рдо्рдордХो рдЙрдЪाрдИ рд╣ुрдиे рдпो рд░ुрдЦ рд╕рдзँै рд╣рд░िрдпो рднрдЗрд░рд╣рди्рдЫ । рдпрд╕ рд░ुрдЦрдХो рд╕ाрдиो рд╣ाँрдЧो рдХाрдЯ्рдиे рдмिрдд्рддिрдХै рдд्рдпрд╕рдХो рднिрдд्рд░рдмाрдЯ рд╕ेрддो рдЬाрд▓ीрджाрд░ рдмрдиेрдХो рдХрдкрдбा рдЬрд╕्рддो рд╕ुрдд्рд▓ा рдиिрд╕्рдХрди्рдЫ । рдпрджि рдаूрд▓ो рд╣ाँрдЧा рдХाрдЯेрдоा рджрд░िрд▓ो рдЬाрд▓ीрджाрд░ рдХрдкрдбाрдХो рд░ाрд╕ рдиै рдиिрд╕्рдХрди्рдЫ । рдд्рдпрд╣ाँрдХा рдЬрдЩ्рдЧрд▓рдоा рдмрд╕्рдиे рдЖрджिрд╡ाрд╕ी рдд्рдпрд╣ी рдЬाрд▓ीрджाрд░ рдХрдкрдбाрдмाрдЯ рджрд░ी, рдЭोрд▓ा, рдордЬेрдд्рд░ा рдЖрджि рдмрдиाрдПрд░ рдк्рд░рдпोрдЧрдоा рд▓्рдпाрдЙँрдЫрди् ।
резрез. рд╕рдЩ्рдЧीрдд рдЙрдд्рдкрди्рди рдЧрд░्рдиे рд░ुрдЦ: рд▓ाрд▓ рд╕ाрдЧрд░рджेрдЦि рдиीрд▓ рдирджीрд╕рдо्рдо рдлैрд▓िрдПрдХो рдХ्рд╖ेрдд्рд░ рдиुрдмिрдпाрдоा рд╕ोрдлрд░ рдиाрдордХो рд╕рдЩ्рдЧीрддрдордп рд░ुрдЦ рдкाрдЗрди्рдЫ । рдпो рд░ुрдЦрдХो рд╣ाँрдЧाрдоा рдкोрдХा-рдкोрдХा рдиिрд╕्рдХрди्рдЫ । рддी рдкोрдХाрдоा рдХीрд░ाрд▓े рд╕-рд╕ाрдиा рдк्рд╡ाрд▓ рдкाрд░्рдЫ рд░ рд╕ोрд╣ी рдк्рд╡ाрд▓рдоा рд╣ाрд╡ा рдЫिрд░्рджा рд╕ुрд░िрд▓ो рд╕ुрд╕ेрд▓ी рд╕ुрдиिрди्рдЫ । рдпрд╕्рддै рдЬрдоैрдХाрдоा рдмрддाрд╕ рдЪрд▓्рджा рдЪрд░ाрд▓े рдЧाрдПрдЬрд╕्рддो рд╕ुрд╕ेрд▓्рдиे рд░ुрдЦ рдкाрдЗрди्рдЫ । рдд्рдпрд╣ाँрдХा рдмाрд╕िрди्рджा рдЙрдХ्рдд рд░ुрдЦрд▓ाрдИ рдмोрдХ्рд╕ी рд░ुрдЦ рднрди्рдиे рдЧрд░्рджрдЫрди् рднрдиे рдкूрдЬाрдЖрдЬा рдкрдиि рдЧрд░्рдЫрди् । рдд्рдпो рд░ुрдЦ рдЕँрдз्рдпाрд░ोрдоा рд░рд╣рд╕्рдпрдордп рдврдЩ्рдЧрд▓े рдЪрдо्рдХрди्рдЫ рдкрдиि ।
резреи. рдШिрдЙ рджिрдиे рд░ुрдЦ: рдЕрдоेрд░िрдХाрдоा рдкाрдЗрдиे рд╡िрдкिрдЩ рдлрд░ рдиाрдордХ рд░ुрдЦрд▓े рдоैрдирдмрдд्рддी рдЖрдХाрд░рдХो рдлрд▓ рдлрд▓्рдЫ । рдпो рдлрд▓ рек рдлिрдЯрд╕рдо्рдо рд▓ाрдоो рд╣ुрдиे рдЧрд░्рджрдЫ । рдпрд╕рд▓ाрдИ рдкेрд▓ेрд░ рдШिрдЙ рдиिрдХाрд▓िрди्рдЫ । рдЧाрдИрд▓ाрдИ рдЦ्рд╡ाрдЙँрджा рдоोрдЯाрдЙँрдЫ । рдпрд╕्рддै рдиेрдкाрд▓рдоा рдкрдиि рдЪ्рдпुрд░ी рдиाрдордХ рд░ुрдЦрдХो рдлрд▓рдХो рдмिрдпाँ рдкेрд▓ेрд░ рдШिрдЙ рдиिрдХाрд▓िрди्рдЫ । рдпो рдШिрдЙ,рдФрд╖рдзि рдмрдиाрдЙрди, рд╢рд░ीрд░рдоा рдШрд╕्рди, рдмрдд्рддी рдмाрд▓्рди рд░ рд╕ाрдмुрди рдмрдиाрдЙрди рдк्рд░рдпोрдЧ рд╣ुрди्рдЫ ।
резрей. рдХीрд░ा рдлрдЯ्рдпाँрдЧ्рд░ा рдЦाрдиे рд░ुрдЦ: рдЕрдоेрд░िрдХाрдоा рдПрдЙрдЯा рдЕрдЪрдо्рдордХो рд░ुрдЦ рдкाрдЗрди्рдЫ, рдЬрд╕рд▓े рдЕрд░ु рд╕ाрдзाрд░рдг рд░ुрдЦ рдЭैं рдоाрдЯोрдмाрдЯ рдЖрд╣ाрд░ рдк्рд░ाрдк्рдд рдирдЧрд░ी рдХीрд░ा рдлрдЯ्рдпाँрдЧ्рд░ा рдЦाрдПрд░ рдмाँрдЪ्рдиे рдЧрд░्рдЫ । рддрд╕рд░्рде рдпрд╕рдХो рдиाрдо рдкрдиि рдХाрдордЕрдиुрд╕ाрд░ ‘рдХोрдмрд░ा’ рд╡ृрдХ्рд╖ рд░ाрдЦिрдПрдХो рдЫ ।
резрек. рдХुрд░ा рдЧрд░्рдиे рд░ुрдЦ: ‘рдбेрд╕िрдпोрдбिрдпрдо рдб्рд░ाрдЗрдХ्рд╡ेрдЯ’ рдиाрдордХ рд░ुрдЦрдХा рдкाрддрдмाрдЯ рдЧрд░्рдоीрдХो рдпाрдордоा рдоाрдиिрд╕рд▓े рдХुрд░ा рдЧрд░ेрдЭैं рдЖрд╡ाрдЬ рдиिрд╕्рдХрди्рдЫ । рдд्рдпрд╕рдХा рдмाрд╕िрди्рджाрд▓े рдпрд╕ рд░ुрдЦрд▓ाрдИ рдХुрд░ा рдЧрд░्рдиे рд░ुрдЦ рднрди्рдиे рдЧрд░िрди्рдЫ ।
резрел. рдоांрд╕ाрд╣ाрд░ी рд░ुрдЦ: рдЕрдл्рд░िрдХी рдорд╣ाрдж्рд╡ीрдк рддрдеा рдоेрдбाрдЧाрд╕्рдХрд░ рдж्рд╡ीрдкрдХो рдШрдиा рдЬрдЩ्рдЧрд▓рдоा рдпрд╕्рддा рд░ुрдЦ рдкाрдЗрди्рдЫрди्, рдЬрд╕рд▓े рдоाрди्рдЫे рддрдеा рдЬрдиाрд╡рд░ рдоाрд░ेрд░ рдЦाрди्рдЫрди् । рдпрд╕्рддा рд░ुрдЦрдХो рдЙрдЪाрдЗँ реирел рдлिрдЯрд╕рдо्рдо рд╣ुрди्рдЫ । рдпрд╕्рддा рд░ुрдЦрдХो рд╢ाрдЦा рд╣ाँрдЧाрдХो рдЕрдЧाрдбिрдХो рднाрдЧрдоा рдаूрд▓ाрдаूрд▓ा рдеाрд▓рдХा рдЖрдХाрд░рдХा рдлूрд▓ рд╣ुрди्рдЫрди् । рдпिрдиै рд╣ाँрдЧाрдоा рез-реи рдлिрдЯ рд▓ाрдоो рдирдЩ्рдЧ्рд░ा рдЬрд╕्рддा рддिрдЦा рдХाँрдЯा рд╣ुрди्рдЫрди् । рдЕрд╕ाрд╡рдзाрдиीрд╡рд╢ рдХुрдиै рдоाрдиिрд╕ рд╡ा рдЬрдиाрд╡рд░ рддी рд░ुрдЦрдХो рдЫेрдЙрдоा рдкुрдЧे рднрдиे рддी рдХाँрдЯाрд▓े рдЫेрдб्рдЫрди्, рдЫेрдбेрдкрдЫि рд╢рд░ीрд░рдмाрдЯ рдмрдЧेрдХो рд░рдЧрддрд▓ाрдИ рддी рдХाँрдЯाрд▓े рд╕ोрд╕ेрд░ рдиिрд▓्рджрдЫрди् । рдЬрдм рддी рдк्рд░ाрдгीрдХो рд╢рд░ीрд░рдмाрдЯ рд░рдЧрдд рдЖрдЙрди рдЫोрдб्рдЫ рддрдм рдХाँрдЯाрд▓े рдЫोрдбिрджिрди्рдЫрди् । рд░рдЧрдд рдЦाрдПрдХो рдмेрд▓ा рд░ुрдЦрдоा рд░рд╣ेрдХा рдлूрд▓ рдЕрдЭ рдаूрд▓ा рд╣ुрди्рдЫрди्, рдХेрд╣ी рджिрди рдкрдЫि рдлेрд░ि рд╕ाрд╡िрдХрдХै рдЖрдХाрд░рдоा рдЖрдЙँрдЫрди् ।
резрем. рдЧोрд▓ी рдЬрд╕्рддै рдкрдб्рдХिрдиे рд░ुрдЦ: рдоेрдХ्рд╕िрдХोрдоा рдПрдХ рдХिрд╕िрдордХो рд░ुрдЦ рдкाрдЗрди्рдЫ । рдЬрд╕рдоा рдлрд▓ेрдХा рдлрд▓ рдкाрдХेрдкрдЫि рдЦुрдмै рдЬोрдбрд╕ँрдЧ рдлुрдЯ्рджрдЫ । рдлुрдЯेрдХा рдлрд▓рдХा рдЯुрдХ्рд░ाрд▓े реиреж рдлिрдЯрдХो рдШेрд░ाрднिрдд्рд░ рдмрд╕ेрдХा рдоाрдиिрд╕рд▓ाрдИ рдШाрдЗрддे рдкाрд░्рди рд╕рдХ्рдЫ ।
резрен. рд╣िँрдб्рдиे рд░ुрдЦ: рдЕрдоेрд░िрдХाрдоा рдкाрдЗрдиे ‘рдоेрд▓рдЧ्рд░ोрд╡’ рдиाрдордХ рд░ुрдЦ рд╕рдпौं рдоिрдЯрд░ рдЕрдЧ्рд▓ो рд╣ुрди्рдЫ рдЬुрди рдЬ्рдпाрджै рдорди्рджрдЧрддिрдоा рд╣рдЬाрд░ौं рдлीрдЯ рдкрд░ рдкुрдЧ्рдиे рдЧрд░्рджрдЫ । рдд्рдпрд╕्рддै ‘рдЯрдо्рдкрд╡рд▓ рдкिрдЩ्рд╕’ рдиाрдордХ рдмिрд░ुрд╡ा рдЦाрд╕ рдЧрд░ेрд░ рдорд░ुрднूрдоिрдХो рдирдЬिрдХ рдкाрдЗрди्рдЫ । рдпрд╕рд▓े рдЖрдл्рдиो рдЬрд░ाрдоा рд░рд╣ेрдХो рдкाрдиी рдЦाрдЗрд╕рдХेрдкрдЫि рдЖрдлैँ рдиै рдЬрд░ा рдмाрд╣िрд░ рдиिрдХाрд▓्рдЫ рд░ рд╣ुрд░ी рдмрддाрд╕ рдЪрд▓्рджा рд╕ो рд╕ँрдЧрд╕ँрдЧै рдзेрд░ै рдЯाрдвा рдирджी рд╡ा рдорд╣ाрд╕ाрдЧрд░рдоा рдкुрдЧी рдкाрдиी рдЦाрдИ рдкुрдиः рдЬрд░ा рдЧाрдб्рдЫ ।
резрео. рдмрд░्рд╖ा рдЧрд░ाрдЙрдиे (рдкाрдиी рдкाрд░्рдиे) рд░ुрдЦ: рдХ्рд╖ेрдд्рд░рдоा рдкाрдЗрдиे рдПрдЙрдЯा рд░ुрдЦрд▓ाрдИ ‘рд╕рдоाрдиी рд╕рдорди’ рднрдиिрди्рдЫ । рдпрд╕рд▓ाрдИ рдмрд░्рд╖ा рдЧрд░ाрдЙрдиे рд░ुрдЦрдХा рд░ूрдкрдоा рдЪिрдиिрди्рдЫ । рдпрд╕рд▓े рджिрдирдоा рдЖрдл्рдиो рдХोрд╕ाрд╣рд░ुрдоा рдкाрдиी рдЬрдо्рдоा рдЧрд░्рджрдЫ рд░ рдЙрдХ्рдд рдЬрдо्рдоा рдЧрд░िрдПрдХो рдкाрдиी рд░ाрддрдоा рдШрдиा рдмрд░्рд╖ा рдЬрд╕्рддै рдЧрд░ी рдмрд░्рд╕ाрдЙँрдЫ ।
резреп. рдПрдХрдкाрдЦे рд░ुрдЦ: рдУрд░ेрдЧрдирдоा рдХोрд▓рдо्рдмिрдпा рдирджी рдШाँрдЯीрдХा рдХिрдиाрд░рдоा рдЙрдоि्рд░рдПрдХा рд░ुрдЦ рд╕рджैрд╡ рдПрдХрдкाрдЦे (рдПрдХाрддिрд░рдоाрдд्рд░ рд╕ोрд╣ोрд░िрдПрдХा) рд╣ुрди्рдЫрди् । рдпी рд░ुрдЦрд▓े рд▓рдЧाрддाрд░ рдПрдХै рджिрд╢ाрдмाрдЯ рдЖрдЙрдиे рдпрддि рднीрд╖рдг рд╣ाрд╡ाрдХो рд╕ाрдордиा рдЧрд░िрд░рд╣рдиुрдкрд░्рджрдЫ рдХि рдпिрдирдХा рд╕рдо्рдкूрд░्рдг рд╣ाँрдЧा рд╣ाрд╡ाрдХो рдмрд╣ाрд╡рдХो рджिрд╢ाрдоा рдиै рдмрдв्рдЫрди् । рдпрд╕ैрдХाрд░рдг рд░ुрдЦ рдПрдХрдкाрдЦे рдмрди्рди рдЬाрди्рдЫрди् ।
реиреж. рд╣ाрдд्рддी рджाँрддे рд░ुрдЦ: рдкрд╢्рдЪिрдоी рдордз्рдп рдЕрдоेрд░िрдХाрдоा рдПрдХ рдХिрд╕िрдордХो рд░ुрдЦрдоा рдиिрдХै рдаूрд▓ा рдлрд▓ рдлрд▓्рдЫрди् । рдпрд╕्рддा рдлрд▓рд▓ाрдИ рд╕ुрдХाрдПрд░ рдЯाँрдХ рдЖрджि рдмрдиाрдЙрдиे рдХाрдордоा рдк्рд░рдпोрдЧ рдЧрд░िрди्рдЫ । рдЭрдЯ्рдЯ рд╣ेрд░्рджा рдпрд╕्рддा рдлрд▓рдмाрдЯ рдмрдиेрдХा рдХुрдиै рдкрдиि рдЪीрдЬ рд╣ाрдд्рддीрдХो рджाँрддрдмाрдЯै рдмрдиाрдЗрдПрдХा рдЬрд╕्рддा рджेрдЦिрди्рдЫрди् ।
реирез. рддेрд▓ рджिрдиे рд░ुрдЦ: рдм्рд░ाрдЬिрд▓рдоा рдкाрдЗрдПрдХो ‘рдХोрдкिрдмिрдпा’ рдиाрдордХ рд░ुрдЦрдмाрдЯ рд╡рд░्рд╖рдоा рджुрдИ рдкрдЯрдХ рддेрд▓ рдЭिрдХ्рди рд╕рдХिрди्рдЫ । рдПрдХрдкрдЯрдХрдоा рдЭिрдХेрдХो рддेрд▓ реирел рд▓िрдЯрд░рд╕рдо्рдо рд╣ुрди्рдЫ । рдпрд╕рд▓ाрдИ рддрдд्рдХाрд▓ै рдЧाрдбीрдоा рд╣ाрд▓ी рдк्рд░рдпोрдЧ рдЧрд░्рди рд╕рдХिрди्рдЫ ।
реиреи. рддुрд░ुрди्рдд рдШाрдЙ рдвाрдХ्рдиे рдЪोрдкрд╡ाрд▓ा рд░ुрдЦ: рдоेрд╡ाрдХो рдлрд▓рдоा рдмाрд╣िрд░рдмाрдЯ рдкाрддрд▓ो рдЪिрд░ा рд▓рдЧाрдПрд░ рдЪोрдк рдиिрдХाрд▓्рди рд╕рдХिрди्рдЫ । рддрд░ рдпो рдЪोрдкрдоा рдПрдЙрдЯा рд╡िрдЪिрдд्рд░рдХो рдЧुрдг рд╣ुрди्рдЫ । рдпрд╣ि рдЧुрдгрдХाрдХाрд░рдг рдиै рдпो рдЪोрдк рд╣ाрд╡ाрдХो рд╕рдо्рдкрд░्рдХрдоा рдЖрдЙрдирд╕ाрде рддुрд░ुрди्рдд рдЬрдо्рджрдЫ рд░ рдЪिрд░िрдПрдХो рдШाрдЙрдХो рдоुрдЦ рдмрди्рдж рдЧрд░िрджिрди्рдЫ । рдпрд╕рдмाрдЯ рдЪोрдк рдиिрд╕्рдХрди рдкрдиि рддुрд░ुрди्рдд рд░ोрдХिрди्рдЫ ।
реирей. рд╕рдо्рдкूрд░्рдг рдорд╕рд▓ाрдХो рдПрдЙрдЯै рд░ुрдЦ: рдПрдЙрдЯा рд░ुрдЦ рдЬрд╕рдХो рдиाрдо рдиै рдпрд╕рдХो рдЧुрдгрдХो рдЖрдзाрд░рдоा ‘рд╕рдо्рдкूрд░्рдг рдорд╕рд▓ा’ рд░ाрдЦिрдПрдХो рдЫ । рдХिрдирдХि рдпрд╕рдХो рдлрд▓рдоा рд▓्рд╡ाрдЩ, рддेрдЬрдкाрдд, рджाрд▓рдЪिрдиीрдХो рдПрдХрдоुрд╖्рдЯ рд╕्рд╡ाрдж рд░ рд╕ुрдЧрди्рдз рдкाрдЙрди рд╕рдХिрди्рдЫ ।
реирек. рд╕ाрдмुрди рджिрдиे рд░ुрдЦ: рдЙрдд्рддрд░ рдЕрдоेрд░िрдХाрдоा рдкाрдЗрдиे рд╕ाрдмुрди рд░ुрдЦ рдкрдиि рдЕрддि рдЙрдкрдпोрдЧी рд░ुрдЦ рдоाрдиिрди्рдЫ । рдмрд░्рд╕ेрдиि рдпो рд░ुрдЦрдоा рд╕ुрдкाрд░ी рдЬрдд्рд░ो рдлрд▓ рдлрд▓्рдЫ । рдлрд▓рднिрдд्рд░ рдирд░рдо рдЧुрджी рд╣ुрди्рдЫ । рдЧुрджीрдХो рдЖрдзाрднाрдЧ рдмрд╕ाрдЙрдиे рд╕ाрдмुрди рд╣ुрди्рдЫ, рдЬрд╕рдмाрдЯ рд░ाрдо्рд░рд░ी рдлिँрдЬ рдиिрд╕्рдХрди्рдЫ, рд╕ो рднेрдЧрдХा рдоाрдиिрд╕ рдпрд╕ैрдмाрдЯ рд▓ुрдЧा рдзुрдиे рдЧрд░्рдЫрди् ।
реирел. рдкेрдЯिрдХोрдЯ рдкाрдо рд░ुрдЦ: рдХ्рдпाрд▓िрдлोрд░्рдиिрдпाрдоा рдкाрдЗрдиे ‘рд╡ाрд╕िрдЩ्рдЧрдЯोрдиिрдпा рдкाрдо’ рдиाрдордХ рд░ुрдЦрд▓ाрдИ рдкेрдЯिрдХोрдЯ рдкाрдо рдкрдиि рднрди्рди рд╕рдХिрди्рдЫ । рдпрд╕рдХा рдкाрддрд▓े рдпрд╕рдХो рдмोрдЯрд▓ाрдИ рдЕрдиौрдаो рддрд░िрдХाрд▓े рдвाрдХेрд░ рд╕ूрд░्рдпрдХा рдХिрд░рдгрдмाрдЯ рдЬोрдЧाрдЙँрдЫрди् । рдЭ्рд╡ाрдЯ्рдЯ рд╣ेрд░्рджा рдд्рдпрд╣ाँ рдПрдХ рдорд╣िрд▓ाрд▓े рдЖрдл्рдиो рд╢рд░ीрд░рд▓ाрдИ рдкेрдЯिрдХोрдЯрдж्рд╡ाрд░ा рдвाрдХेрдХो рдЬрд╕्рддो рджेрдЦिрди्рдЫ ।
реирем. рдиुрди рджिрдиे рд░ुрдЦ: рдЪीрдирдХो рд╣िрд▓ोрдЧ рдЬिрдпाрдЩ्рдЧ рд░ рдЬीрд▓ीрди рдк्рд░ाрди्рддрдоा рдкाрдЗрдиे рдПрдХ рдХिрд╕िрдордХो рд░ुрдЦрдмाрдЯ рдПрдХ рдк्рд░рдХाрд░рдХो рдкाрдЙрдбрд░ рдиिрд╕्рдХрди्рдЫ । рдпो рдкाрдЙрдбрд░рдмाрдЯ рдиुрдирдХो рдХाрдо рд▓िрди рд╕рдХिрди्рдЫ ।
реирен. рдЕрдЪрдо्рдордХो рдзोрдд्рд░े рд░ुрдЦ: рдЕрдл्рд░िрдХाрдоा рдкाрдЗрдиे ‘рдПрдг्рдбुрд╕ोрдиिрдпा рдбिрдЬीрдЯोрдЯा’ рдиाрдордХ рд░ुрдЦ рдЬ्рдпाрджै рдЖрд╢्рдЪрд░्рдп рд▓ाрдЧ्рджो рдЫ, рдЬрд╕рдХो рдЬрд░ाрдХो рдЧрд╣िрд░ाрдИ рд╕рдп рдоिрдЯрд░ рддрд▓рд╕рдо्рдо рдЧाрдбिрдПрдХो рд╣ुрди्рдЫ । рдпрд╕рдХा рд╣ाँрдЧा рдЦोрдХ्рд░ो рд╣ुрди्рдЫрди् рд░ рд╕ो рднाрдЧрдоा рдкाрдиी рднрд░ेрд░ рд░ाрдЦ्рди рд╕рдХिрди्рдЫ । рдПрдЙрдЯा рд░ुрдЦрдоा рдкाँрдЪ рд╣рдЬाрд░ рд▓िрдЯрд░рд╕рдо्рдо рдкाрдиी рдЕрдЯाрдЙँрдЫ । рдпрд╣ी рдкाрдиी рд░ेрдЧिрд╕्рддाрдирдХा рдпाрдд्рд░ीрд▓ाрдИ рдмेрдЪ्рдиे рдЧрд░िрди्рдЫ । рд╕ाрдеै рдпрд╕рдХा рд╣ाँрдЧाрдоा рдаूрд▓ा-рдаूрд▓ा рдк्рд╡ाрд▓ рдкाрд░ेрд░ рдорд░ेрдХो рдоाрдиिрд╕рдХो рд╢рд╡ рд░ाрдЦ्рдиे рдЪрд▓рди рдкрдиि рдЫ । рдпрд╕рдоा рд░ाрдЦेрдХो рд╢рд╡ рдХुрдиै рдФрд╖рдзि рд╡िрдиा рдиै рдЬрд╕्рддाрдХो рддрд╕्рддै рд╕рдпौं рд╡рд░्рд╖рд╕рдо्рдо рд░рд╣рди्рдЫ ।....
рдкрд╣ाрдбी рдЧाрдЙँрдШрд░рдоा рдЬрд╣ाँ рддाрдЧрддिрд▓ो рддрдеा рдкोрд╖िрд▓ो рдЦाрдиेрдХुрд░ा рдХрдо рд╣ुрди्рдЫрди рддрд░ рд╢्рд░рдо рдЕрди्рдп рдаाрдЙँрдоा рднрди्рджा рдмрдвी рдЧрд░्рдиु рдкрд░्рдиे рд╣ुрди्рдЫ । рдЙрдХाрд▓ो, рдУрд░ाрд▓ो рдд्рдпрд╕ рдоाрдеी рдкीрдаुрдоा рднाрд░ी । рддैрдкрдиि рдд्рдпрд╣ाँрдХा рдоाрдиिрд╕рд╣рд░ु рдлुрд░्рддिрд▓ोрдХा рд╕ाрде рдЙрдХाрд▓ो рдЪрдвिрд░рд╣ेрдХो рд╣ुрди्рдЫ । рдпрд╕рдХो рд░рд╣рд╕्рдп рд╣ो, рдЪिрдк्рд▓ेрдХिрд░ा । рдкрд╣ाрдбी рдЧाрдЙँрдШрд░рдоा рдоाрдиिрд╕рд╣рд░ु рдмрд░्рд╖ाрдпाрдордоा рдЦोрд▓्рд╕ा рдкाрдЦा рдмाрд░ीрдоा рдЪिрдк्рд▓ेрдХिрд░ा рдЦोрдЬ्рди рд╡्рдпрд╕्рдд рд╣ुрди्рдЫрди् ।
рдпी рдХिрд░ा рдЦाँрджा рд╣ाрдбрдЬोрд░्рдиी рджुрдЦेрдХो рдЪोрдЯрдкрдЯрдХ рд▓ाрдЧेрдХो рдаीрдХ рд╣ुрди्рдЫрди् । рдпрд╕рдХा рд╕ाрдеै рд╢рд░ीрд░рдоा рдиिрдХै рддाрдХрдд рдмрдв्рдЫ । рдд्рдпрд╕ैрд▓े рдкрд╣िрд▓े рджेрдЦि рдФрд╖рдзीрдХो рд░ुрдкрдоा рдЪिрдк्рд▓ेрдХिрд░ा рдЦाрдиे рдЪрд▓рди рд░рд╣рди्рджै рдЖрдПрдХो рдЫ । рдоाрдиिрд╕рд╣рд░ुрд▓े рдоाрдд्рд░ рд╣ोрдЗрди рдЧोрд░ुрд▓े рдЦेрдд рдЬोрдд्рди рд╕рдХेрди рднрдиे рдкрдиि рддाрдХрддрдХो рд▓ाрдЧि рддाрдХрддिрд▓ो рдЦुрд░ाрдХрдХा рд░ुрдкрдоा рдЪिрдк्рд▓ेрдХिрд░ा рдЦुрд╡ाрдЙрдиे рдЪрд▓рди рдЫ ।
рднिрдпрдЧ्рд░ा рдпौрди рд╡рд░्рдзрдХ рдФрд╖рдзीрдХो рд░ुрдкрдоा рд╡िрд╢्рд╡ рдк्рд░рд╕िрдж्рдз рдЫ рдиेрдкाрд▓рдХो рд╣िрдоाрд▓ी рдХ्рд╖ेрдд्рд░рдоा рдкाрдЗрдиे рдпाрд░्рд╕ाрдЧुрдо्рдмाрднिрдпрдЧ्рд░ा рднрди्рджा рдиिрдХै рдк्рд░рднाрд╡рдХाрд░ी рднрдПрдХो рдХुрд░ा рдк्рд░рдоाрдгिрдд рднैрд╕рдХेрдХो рдЫ । рдЪिрдк्рд▓ेрдХिрд░ा рдпाрд░्рд╕ाрдЧुрдо्рдмा рднрди्рджा рдкाрдЙрди рд╕рдЬिрд▓ो рд╣ुрдиुрдХा рд╕ाрдеै рдЕрдЭ рдк्рд░рднाрд╡рдХाрд░ी рднрдПрдХो рдХुрд░ा рддी рдЦाрдиे рд╡्рдпрдХ्рддिрд╣рд░ुрд▓े рднрди्рджрдЫрди् । рдЕрд░ु рд╕рдордпрдоा рднрди्рджा рдЪिрдк्рд▓ेрдХिрд░ा рдЦाрдПрдХो рд╕рдордпрдоा рдиिрдХै рдпौрди рд╢рдХ्рддि рдиिрдХै рдмрдвेрдХो рдЕрдиुрднрд╡ рдкाрдЗрдПрдХो рдЫ । рдпрд╣ी рдЧुрдгрд▓े рдЧрд░्рджाрд▓े рдкрдиि рдЖрдЬрдХрд▓рдХा рдпुрд╡ाрд╣рд░ु рдЕрдЭ рдмрдвी рдЪिрдк्рд▓ेрдХिрд░ा рддрд░्рдкु рдЖрдХрд░्рд╖िрдд рднрдПрдХो рдЫ ।
рдЪिрдк्рд▓ेрдХिрд░ा рдд्рдпрддिрдХै рдЦाрди рдШीрди рд▓ाрдЧ्рди рд╕рдХ्рдЫ । рддрд░ рдпрд╕рд▓ाрдИ рдкाрдиीрдоा рд░ाрдЦेрд░ рдХेрд╣ी рд╕рдордп рдЪрд▓ाрдПрдоा рдХेрд╣ी рднाрдЧ рдмाрд╣ेрдХ рдпो рдкाрдиीрдоा рдЕрдерд╡ा рддाрддो рджुрдзрдоा рд░ाрдЦ्рдпो рднрдиे рдЕрдЭ рдЪाрдбै рдШुрд▓्рдЫ । рдЕрдиी рдЙрдХ्рддрджुрдз рдпा рдкाрдиीрд▓ाрдИ рдкिрдП рд╣ुрди्рдЫ । рдЦैрд░ो рд╡ा рд╕ुрдиौрд▓ो рднрди्рджा рдХाрд▓ो рдЪिрдк्рд▓ेрдХिрд░ा рдЕрддि рдиै рдк्рд░рднाрд╡рдХाрд░ी рдПрд╡ं рд╢рдХ्рддिрд╡рд░्рдзрдХ рд╣ुрди्рдЫрди् । рдд्рдпрд╕ैрд▓े рдПрдХ рдкрдЯрдХрдоा рдЖрдзी рд╡ा рдПрдХ рдЪौрдеाрдЗ рдоाрдд्рд░ рдЦाрдиु рдЙрдкрдпुрдХ्рдд рд╣ुрди्рдЫрди् ।....
рез) рдИंрдЧ्рд▓िрд╢ рд╢рдм्рдж “queue” рдоाрдд्рд░ рдПрдЙрдЯा рдИंрдЧ्рд▓िрд╢ рд╢рдм्рдж рд╣ोрдЬрд╕рдХो last рдХो рек рд╡рдЯा рдЕрдХ्рд╖рд░ рд╣рдЯाрдЗрджिрдП рдкрдиि same pronounced рд╣ुрди्рдЫ ।
реи) рдИंрдЧ्рд▓िрд╢ рд╢рдм्рджрд╣рд░ुрдоा “Set” рд╢рдм्рджрдХो рд╕рдмैрднрди्рджा рдзेрд░ै рдкрд░िрднाрд╖ा рд╣ुрди्рдЫ ।
рей) рдИंрдЧ्рд▓िрд╢рдоा “French kiss” рднрдиेрд░ рдЬुрди рд╢рдм्рдж рдЪिрдиिрди्рдЫ рдд्рдпрд╣ी рд╢рдм्рдж рдл्рд░ाрди्рд╕рдоा “English kiss” рднрдиेрд░ рдЪिрдиिрди्рдЫ ।
рек) Alphabetical order рдоा рднрдиेрдХो рд╕рдмै рднрди्рджा рд▓ाрдоो рдИंрдЧ्рд▓िрд╢ рд╢рдм्рдж “Almost” рд╣ो ।
рел) Vowel рдмिрдиाрдХो рд▓ाрдоो рд╢рдм्рдж “Rhythm” рд╣ो ।
рем) рдХि рдмोрд░्рдб рдХो рдПрдХै рдкँрдХ्рддीрдХो рдЕрдХ्рд╖рд░ рдмाрдЯ рдмрдиेрдХो рд╢рдм्рдж Typewriter рдиै рд╕рдмै рднрди्рджा рд▓ाрдоो рд╢рдм्рдж рд╣ो ।
рен) рд╡िрд╢्рд╡рдоा рд╕рдмै рднрди्рджा рдзेрд░ै рдоिрд▓्рдиे рдиाрдо “рдоोрд╣рдо्рдордж” рд╣ो ।
рео) резрезрез,резрезрез,резрезрез x резрезрез,резрезрез,резрезрез = резреи,рейрекрел,ремренрео,репреорен,ремрелрек,рейреирез рд╣ुрди्рдЫ ।
реп) рдФंрд▓ाрдХो рдЫाрдк рд╣рд░ेрдХ рдоाрди्рдЫेрдоा рдлрд░рдХ рдлрд░рдХ рднрдП рдЬрд╕्рддै рдЬिрдм्рд░ो рдХो рдЫाрдк рдкрдиि рдлрд░рдХ рдлрд░рдХ рд╣ुрди्рдЫ ।
резреж) рдХрдХ्рд░ोрдЪ (рд╕ाрдЩ्рд▓ेрдХिрд░ा) рд╕ँрдЧ рдмिрдХिрд░рдг рд╕ँрдЧ рд▓рдб्рди рд╕рдХ्рдиे рдзेрд░ै рдХ्рд╖рдорддा рд╣ुрдиे рд╣ुрдиाрд▓े рдХेрд╣ी рдЧрд░ी рдкрд░рдоाрдгु рдпुрдж्рдз рднрдПрдоा рдХрдХ्рд░ोрдЪ (рд╕ाрдЩ्рд▓ेрдХिрд░ा) рдиै рдПрдХ рдоाрдд्рд░ рдЬिрд╡िрдд рдЬिрд╡ рд╣ुрдиे рд╕рдо्рднाрд╡рдиा рдЫ ।

рд╣ाрдоी рд╕рдмैрд▓े рдз्рдпाрди рджिрдиै рдкрд░्рдиे резрежреж рдХुрд░ा (100 Most Important Things)

Part 1: The Basics
1. What is your full name?
2. Where and when were you born?
3. Who are/were your parents? (Know their names, occupations, personalities, etc.)
4. Do you have any siblings? What are/were they like?
5. Where do you live now, and with whom? Describe the place and the person/people.
6. What is your occupation?
7. Write a full physical description of yourself. You might want to consider factors such as: height, weight, race, hair and eye color, style of dress, and any tattoos, scars, or distinguishing marks.
8. To which social class do you belong?
9. Do you have any allergies, diseases, or other physical weaknesses?
10. Are you right- or left-handed?
11. What does your voice sound like?
12. What words and/or phrases do you use very frequently?
13. What do you have in your pockets?
14. Do you have any quirks, strange mannerisms, annoying habits, or other defining characteristics?
Part 2: Growing Up
15. How would you describe your childhood in general?
16. What is your earliest memory?
17. How much schooling have you had?
18. Did you enjoy school?
19. Where did you learn most of your skills and other abilities?
20. While growing up, did you have any role models? If so, describe them.
21. While growing up, how did you get along with the other members of your family?
22. As a child, what did you want to be when you grew up?
23. As a child, what were your favorite activities?
24. As a child, what kinds of personality traits did you display?
25. As a child, were you popular? Who were your friends, and what were they like?
26. When and with whom was your first kiss?
27. Are you a virgin? If not, when and with whom did you lose your virginity?
28. If you are a supernatural being (i.e. mage, werewolf, vampire), tell thestory of how you became what you are or first learned of your own abilities. If you are just a normal human, describe any influences in your past that led you to do the things you do today.
Part 3: Past Influences
29. What do you consider the most important event of your life so far?
30. Who has had the most influence on you?
31. What do you consider your greatest achievement?
32. What is your greatest regret?
33. What is the most evil thing you have ever done?
34. Do you have a criminal record of any kind?
35. When was the time you were the most frightened?
36. What is the most embarrassing thing ever to happen to you?
37. If you could change one thing from your past, what would it be, and why?
38. What is your best memory?
39. What is your worst memory?
Part 4: Beliefs And Opinions
40. Are you basically optimistic or pessimistic?
41. What is your greatest fear?
42. What are your religious views?
43. What are your political views?
44. What are your views on sex?
45. Are you able to kill? Under what circumstances do you find killing to beacceptable or unacceptable?
46. In your opinion, what is the most evil thing any human being could do?
47. Do you believe in the existence of soul mates and/or true love?
48. What do you believe makes a successful life?
49. How honest are you about your thoughts and feelings (i.e. do you hideyour true self from others, and in what way)?
50. Do you have any biases or prejudices?
51. Is there anything you absolutely refuse to do under any circumstances? Why do you refuse to do it?
52. Who or what, if anything, would you die for (or otherwise go to extremes for)?
Part 5: Relationships With Others
53. In general, how do you treat others (politely, rudely, by keeping them at a distance, etc.)? Does your treatment of them change depending on how well you know them, and if so, how?
54. Who is the most important person in your life, and why?
55. Who is the person you respect the most, and why?
56. Who are your friends? Do you have a best friend? Describe these people.
57. Do you have a spouse or significant other? If so, describe this person.
58. Have you ever been in love? If so, describe what happened.
59. What do you look for in a potential lover?
60. How close are you to your family?
61. Have you started your own family? If so, describe them. If not, do you want to? Why or why not?
62. Who would you turn to if you were in desperate need of help?
63. Do you trust anyone to protect you? Who, and why?
64. If you died or went missing, who would miss you?
65. Who is the person you despise the most, and why?
66. Do you tend to argue with people, or avoid conflict?
67. Do you tend to take on leadership roles in social situations?
68. Do you like interacting with large groups of people? Why or why not?
69. Do you care what others think of you?
Part 6: Likes And Dislikes
70. What is/are your favorite hobbies and pastimes?
71. What is your most treasured possession?
72. What is your favorite color?
73. What is your favorite food?
74. What, if anything, do you like to read?
75. What is your idea of good entertainment (consider music, movies, art,etc.)?
76. Do you smoke, drink, or use drugs? If so, why? Do you want to quit?
77. How do you spend a typical Saturday night?
78. What makes you laugh?
79. What, if anything, shocks or offends you?
80. What would you do if you had insomnia and had to find something to do to amuse yourself?
81. How do you deal with stress?
82. Are you spontaneous, or do you always need to have a plan?
83. What are your pet peeves?
Part 7: Self Images And Etc.
84. Describe the routine of a normal day for you. How do you feel when this routine is disrupted?
85. What is your greatest strength as a person?
86. What is your greatest weakness?
87. If you could change one thing about yourself, what would it be?
88. Are you generally introverted or extroverted?
89. Are you generally organized or messy?
90. Name three things you consider yourself to be very good at, and threethings you consider yourself to be very bad at.
91. Do you like yourself?
92. What are your reasons for being an adventurer (or doing the strange and heroic things that RPG characters do)? Are your real reasons for doing this different than the ones you tell people in public? (If so, detail both sets of reasons...)
93. What goal do you most want to accomplish in your lifetime?
94. Where do you see yourself in 5 years?
95. If you could choose, how would you want to die?
96. If you knew you were going to die in 24 hours, name three things you would do in the time you had left.
97. What is the one thing for which you would most like to be remembered after your death?
98. What three words best describe your personality?
99. What three words would others probably use to describe you?
100. If you could, what advice would you, the player, give to your character? (You might even want to speak as if he or she were sitting right here in front of you, and use proper tone so he or she might heed your advice...)

Powder Room is a rare film all about women, and all the more universal for it

 
A new British film, Powder Room, released next month,  features an all-female five-piece rock band, Fake Club. Which, if you watched a lot of editions of Top of the Pops in the 1970s, is nice. Back then, though female singers existed, no women actually played musical instruments, apart from Suzi Quatro. Though lots of the men had long hair, or wore makeup, presumably in compensation.

That, however, is not the only respect in which Powder Room is notable, gender-wise. It's being described as the British Bridesmaids, since it's a comedy about and for women. But, unlike Bridesmaids, it has no male lead characters – just a couple of tiny walk-on parts. This is not surprising, bearing in mind that nearly all of the action is set in the ladies loo of a nightclub. Yet, at the same time, it's surprising, if not unique. If a feature film with a higher female-to-male on-camera ratio has ever been made, then I'd like to know what it is.

Does it matter, mere critical mass of female presence, regardless of whether the film is any good or not? It most certainly does. A film that barely features a woman at all – Reservoir Dogs, say – isn't remarkable for that fact. One doesn't even notice. But a film that's all about women, well, that's both a marker of how far we have come in the last 50 years or so, and also marker of how very far we have yet to go.

As it happens, Powder Room, by first-time director MJ Delaney, is a good and interesting film, with some caveats. It's a low-budget film, so its necessarily limited. It's based on a play, When Women Wee, by Rachel Hirons, and it shows – it has the feel of a filmed play, not a movie. While the club-lavvy set-up is a solid device, it's hard to believe that the disparate women who feature really would all find themselves on a night out at the same place. But, hey, they do. An excellent cast, including Sheridan Smith, Jamie Winstone and Kate Nash, has the acting ability to smooth out a lot of the film's shortcomings.

The central character is Sam, played by Smith, who meets up at this unlikely venue with a college friend she hasn't been in contact with for a long time. The friend has been living in Paris for some years, where she enjoys a successful career running a fashion website with her sophisticated and beautiful French friend (whom she has somewhat inexplicably chosen to bring to this colourful dive back in the UK). She's about to get married to some marvellous guy who adores her. Sam feels so intimidated by these women, and so inadequate, that she fictitiously claims that she's now working as a lawyer, and about to move in with a lovely boyfriend.

The discomfort of the lies is made even worse when Sam's usual crowd, led by Jamie Winstone's Chanel, all turn up. Sam feels compelled to spend the entire evening making sure that the snotty fashionistas don't get wind of the fact that she even knows the rowdy and attention-seeking group of sensation-hungry hedonists that the pair have decided make such hilariously appalling entertainment.

A great strength of the film is that Sam, in her idle boasts and denial of the women she relies on for friendship, doesn't come across as a shallow hypocrite. She's unhappy and vulnerable, dissatisfied with her life, depressed, desperate for change yet unable to make it – like a lot of people. She's dissastisfied with her friends as well. The cliche is that women are great because they're such supportive mates to each other. In Powder Room, female friendships are portrayed as much more contingent. These women are clinging to each other because each other is the best they can do. Much as Sam despises the pretentious Paris girls, it's their approval and friendship that she craves.

One of the problems that arises out of the paucity of material focused on women and their lives is that when something like Powder Room does come along, the temptation is to see it as universal, a comment on what all women's lives are like, not just a narrative about one bunch of people in a certain place at a certain time. Which, of course, it is. No one, after all, ever started declaring that Reservoir Dogs was really a film about what it is to be a man.

Yet, the portrayal of femininity in Powder Room, humorous and outrageous as it is meant to be, is also disturbing. It will certainly offer comfort to those who like to promote moral panic. The drinking, the drug-taking, the pursuit of uber-casual sex, the Miley Cyrus-style twerking, the petty theft and violence that forms the backdrop of the film speaks of what used to be discussed as "ladette culture" – the idea that feminism has liberated women to behave just as badly as the ghastly lads whose seedy magazines are currently being driven off the shelves of All Good Bookshops.

Powder Room seems to suggest that such behaviour is inspired by feelings of unhappiness, inadequacy and emptiness, which few feminists would altogether deny might motivate men who behave in the same way. Yet, when pictures of half-dressed, vomiting girls appear in the tabloids, the liberal response is to suggest that this is a nasty strategy that seeks to demonise modern women.

Jarvis Cocker, in his celebrated song with Pulp, Common People, described men and women whose lives "slide out of view, who dance and drink and screw, because there's nothing else to do". That observation struck a chord with a lot of people, and Powder Room brought it to the forefront of my mind again. The idea of living for Saturday night, to let off stream and discard inhibitions is well understood. But that desperation is not confined to the unsuccessful. You only have to witness oligarchs in Ibiza throwing parties to buy glamorous guests, or money-men in lapdancing clubs in the City of London, to see that it's a lifestye choice lots of people make.

In Powder Room, everyone is desperately trying to have a good time. They've all come to a place designed expressly for the purpose. But none of them succeed – quite the contrary. Everyone is having a miserable time, and doing their best to keep that a secret from everyone else. The odd, rather terrific thing is that even though – or perhaps because – the film is all about women, it becomes much more about people than a film doing the more usual thing of looking at the relationships between the sexes could ever manage.

What's great is that Powder Room has emotional truth. One suspects that it would be more fun to go to the film with a crowd of friends, then talk about it, than it would be to go to the nightclub. My suspicion is that if there was a great deal more material like this – that looks hard and honestly at what it's like to be a woman in this world and this culture at this time, then we'd also gain a great deal more understanding of what it is to be a human in this world.

6 Extreme Animals Sure To Survive The Apocalypse

If we've learned anything from science class, it's that nature is constantly trying to kill us. No matter how hard it tries though, it will never take down these animals.

The Devil Worm



Can survive: Crippling pressure, lack of oxygen, high temperature.

This species of nematode, only recently discovered in 2011, has been found living up to 2.2 miles below the surface of the Earth. It blew away the previous record for multicellular organisms by a full mile. These worms spend their lives in total darkness, drinking 12,000 year old water and eating simple bacteria.

The Himalayan Jumping Spider



Can survive: Low pressure, freezing temperatures.

The polar opposite of the devil worm, this spider holds the record for the animal that claims residency at a higher point than any other (4.1 miles above sea level). It’s able to survive long periods without food, freezing temperatures, and a distinct lack of atmospheric pressure. The only sources of nutrition available to the Himlayan jumping spider are the tiny insects that get blown up the mountain by the high winds.

The Immortal Jellyfish



Can survive: The aging process.

These jellyfish have the ability to revert back to their infant stages in adverse conditions, making them effectively immortal. There doesn't seem to be any limit on the number of times that they are able to revert back to their infancy. Unfortunately, they're highly vulnerable to predation and disease every time they live out their immature, smaller stages.

The Red Flat Bark Beetle



Can survive: Extreme cold.

This insect, which is native to the northern areas of Alaska and Canada, is able to resist temperatures up to -150 degrees Celsius (-238 Fahrenheit) by producing an antifreeze protein that prevents the crystallization of its blood. Its blood is also fortified with glycerol, which further halts freezing.

The Pompeii Worm



Can survive: Extreme heat, variance in temperature.

These deep-sea worms live exclusively in thermal vents in the ocean floor. Their tails are in the vents, which achieve temperatures up to 176 degrees Fahrenheit. Their heads however, poke out of the vents in order for the pompeii worms to capture prey. This results in half of their bodies experiencing temperatures over 100 degrees lower. It's thought that their resistance to heat is due to a coating of specialized bacteria on their bodies, which may provide a large degree of insulation for the worm.

The Tardigrade



Can survive: Basically anything.

These millimeter long, segmented animals can survive just about everything. Temperatures between just above absolute zero and 300 degrees Fahrenheit are no problem. 1200 times atmospheric pressure? The tardigrade just shrugs it off. It doesn’t really care about dehydration either, seeing as it can go 10 years without water. 1,000 times the lethal dose of radiation for humans is another non-factor. When testing the true extent of the tardigrade's resilience, scientists went so far as to send it to outer space in 2007. The result? Most of the tardigrades that went on the mission came back entirely unscathed. Plus they're kind of weirdly adorable.

6 Extreme Animals Sure To Survive The Apocalypse

If we've learned anything from science class, it's that nature is constantly trying to kill us. No matter how hard it tries though, it will never take down these animals.

The Devil Worm



Can survive: Crippling pressure, lack of oxygen, high temperature.

This species of nematode, only recently discovered in 2011, has been found living up to 2.2 miles below the surface of the Earth. It blew away the previous record for multicellular organisms by a full mile. These worms spend their lives in total darkness, drinking 12,000 year old water and eating simple bacteria.

The Himalayan Jumping Spider



Can survive: Low pressure, freezing temperatures.

The polar opposite of the devil worm, this spider holds the record for the animal that claims residency at a higher point than any other (4.1 miles above sea level). It’s able to survive long periods without food, freezing temperatures, and a distinct lack of atmospheric pressure. The only sources of nutrition available to the Himlayan jumping spider are the tiny insects that get blown up the mountain by the high winds.

The Immortal Jellyfish



Can survive: The aging process.

These jellyfish have the ability to revert back to their infant stages in adverse conditions, making them effectively immortal. There doesn't seem to be any limit on the number of times that they are able to revert back to their infancy. Unfortunately, they're highly vulnerable to predation and disease every time they live out their immature, smaller stages.

The Red Flat Bark Beetle



Can survive: Extreme cold.

This insect, which is native to the northern areas of Alaska and Canada, is able to resist temperatures up to -150 degrees Celsius (-238 Fahrenheit) by producing an antifreeze protein that prevents the crystallization of its blood. Its blood is also fortified with glycerol, which further halts freezing.

The Pompeii Worm



Can survive: Extreme heat, variance in temperature.

These deep-sea worms live exclusively in thermal vents in the ocean floor. Their tails are in the vents, which achieve temperatures up to 176 degrees Fahrenheit. Their heads however, poke out of the vents in order for the pompeii worms to capture prey. This results in half of their bodies experiencing temperatures over 100 degrees lower. It's thought that their resistance to heat is due to a coating of specialized bacteria on their bodies, which may provide a large degree of insulation for the worm.

The Tardigrade



Can survive: Basically anything.

These millimeter long, segmented animals can survive just about everything. Temperatures between just above absolute zero and 300 degrees Fahrenheit are no problem. 1200 times atmospheric pressure? The tardigrade just shrugs it off. It doesn’t really care about dehydration either, seeing as it can go 10 years without water. 1,000 times the lethal dose of radiation for humans is another non-factor. When testing the true extent of the tardigrade's resilience, scientists went so far as to send it to outer space in 2007. The result? Most of the tardigrades that went on the mission came back entirely unscathed. Plus they're kind of weirdly adorable.

Stop Girl Trafficking

  The way we combat this modern-day slavery is revolutionary – and surprisingly effective …
OUR APPROACH

We go to the source, into the villages where girls are at risk, and put those girls into school. We counsel them and their families about the dangers of trafficking. By keeping at-risk girls in school and living at home, they are less vulnerable to being sold or lured by promises of jobs, only to find themselves in brothels or trapped as slaves in households. For a small investment – $100 pays for everything: school fees, books, school uniforms, tutoring – we can keep a girl safe for whole year. Persuading families to educate their daughters was slow going at first, but 10,000 girls later – without one being lost – the idea is gaining traction.   
HOW IT ALL STARTED

Dr. Aruna Uprety, our visionary partner, went to the brothels in India where more than a hundred thousand Nepali girls are trapped, hoping to convince some to come home. To her great surprise, they told her, “It’s too late for us. If we had known anything, if we had been able to go to school and learn and work, we would never have landed here. Please, keep this from happening to other girls.” The heartbreak of their situation pushed her to focus on prevention – breaking the cycle of trafficking from the start. She pioneered the approach of getting at-risk girls into school, and our partnership with her has saved thousands of young lives.
IT WORKS

In the beginning, it was hard to convince families that sending girls to school was worthwhile.  Fifteen years ago we started with 54 girls.  This year we have 10,000 in 400 schools across Nepal, and we haven’t lost one girl to trafficking.  Not one.  Reluctance to send girls to school is dropping away, and whole villages are asking to be included in our work.  Educating the most at-risk girls in a village spreads enough knowledge to keep traffickers at bay.

any as 20,000 girls from the poorest parts of Nepal are trafficked – lured by the false promises of traffickers. These girls, some as young as nine, end up in Indian brothels or as domestic servants in countries as far away as the Middle East. In either case, they’re slaves. Many are HIV positive within two years, and dead before they reach twenty.

рд░ाрдо्рд░ी рдпुрд╡рддी рджेрдЦेрдкрдЫि рдоुрдЯुрдХो рдзрдб्рдХрди рдХिрди рдмрдв्рдЫ

рд░ाрдо्рд░ी рдпुрд╡рддी рджेрдЦेрдкрдЫि рдоुрдЯुрдХो рдзрдб्рдХрди рдХिрди рдмрдв्рдЫ ? рднрди्рдиे рдк्рд░рд╢्рди рдоा рд╡िрднिрди्рди рд╡्рдпрдХ्рддिрд╣рд░ुрд▓े рджिрдПрдХो рдЙрддाрд░ рдпрд╕्рддो рдЫ :-
рддрдкाрдИंрд▓ाрдИ рджрдордХो рд░ोрдЧ рдЫ рдХि рдХ्рдпा рд╣ो рд╕рдо्рдкाрджрдХрдЬ्рдпू ? рдЪाँрдбै рдЙрдкрдЪाрд░ рдЧрд░ाрдЙрдиे рд╣ो рдХि ?
- рдд्рд░िрджेрд╡
рдпो рд╢рд░ीрд░рднिрдд्рд░рдХो рдХुрдиै рдХेрдоिрдХрд▓рдХा рдХाрд░рдгрд▓े рд╣ो।
- рдЖрд╢िрд╖ рд░ाрд╣ुрд▓
рдд्рдпрд╕्рддो рд╣ुँрджैрди। рдд्рдпो рдд рдмाрдиी рд╣ो рдиि।
- рд╕рдлрд▓ рдкिрдХे
рдд्рдпрд╣ी рдд рд╣ो рд░ूрдкрдХो рд╢рдХ्рддि рднрдиेрдХो।
- рд╢рд╢ि рдордЧрд░
рдЖрдл्рдиै рдХेрдЯी рд╕ाрдеीрд▓ाрдИ рджेрдЦे рдЬрд╕्рддो рд▓ाрдЧ्рдЫ, рдд्рдпрд╕ैрд▓े।
- рд░рдоेрд╢ рд╕िрдЧ्рджेрд▓
рд░ाрдо्рд░ो рдЪिрдЬ рдХрд╕рд▓ाрдИ рдорди рдкрд░्рджैрди рд░ ? рд░ाрдо्рд░ो рдЪिрдЬ рджेрдЦेрдкрдЫि рдоुрдЯु рдзрдб्рдХрди рдмрдвिрд╣ाрд▓्рдЫ рдиि।
- рдоुрдиा рднрдг्рдбाрд░ी
рдд्рдпो рдд рдоाрдиिрд╕рдХो рд╕्рд╡рднाрд╡ рдиै рд╣ोрд▓ा рдиि। рдЕрд░ू рдХाрд░рдг рдд рдХे рд╣ोрд▓ा рд░ ?
- рд╢ोрднा рдкाрдардХ
рд░ाрдо्рд░ा рдпुрд╡рддीрдХो рдЫेрдЙ рдкрд░्рдиे рдмिрдд्рддिрдХै рдоेрд░ो рдд рдоुрдЯु рдиै рдкрдб्рдХिрди рдЦोрдЬ्рдЫ।
- рдпुрдЧेрд╢ рд░ाрдИ, рд╕ंрдЧीрдд
рдиिрд╣ुँ рдоाрдд्рд░ рд░ाрдо्рд░ी рдпुрд╡рддीрдХो рд╣ो, рджрдордХो рдмिрдоाрд░ी рдЕрдерд╡ा рдХ्рд╖рдпрд░ोрдЧрд▓े рдЪ्рдпाрдкेрдХो рд╣ुрдирд╕рдХ्рдЫ।
- рдХрдорд▓ा рд░ाрдИ
рдпрд╕्рддो рдк्рд░рд╢्рди рдЧрд░ेрд░ рдпुрд╡ाрд╣рд░ूрд▓ाрдИ рднрдб्рдХाрдХाрдЙрди рдЦोрдЬेрдХो рд╣ो ?
- рдЦुрдо рд░ाрдпрдоाрдЭी
рдпौрдирдЪाрд╣рдиाрд▓े рд╣ो рдХि ?
- рд╣ीрд░ा
рдд्рдпрд╕्рддो рдкрдиि рд╣ुрди्рдЫ рд░ ? рдоेрд░ो рдд -рдзрдб्рдХрди) рдмрдв्рджैрди।
- рдордиोрдЬ рдорд╣рдд
рднрдЧрд╡ाрдирд▓े рдиै рдпрд╕्рддै рдмрдиाрдЗрджिрдПрдХा рдЫрди् рдиि рдд।
- рд░ाрдЬेрд╢ рдХрдЯ्рдЯेрд▓
рд░ाрдо्рд░ीрд▓ाрдИ рджेрдЦेрдкрдЫि рд╣ोрдЗрди рдоाрдпा рдЧрд░्рдиेрд▓ाрдИ рджेрдЦेрдкрдЫि рдЪाрд╣िँ рдд्рдпрд╕्рддो рд╣ुрди्рдЫ।
- рдЙрдЬ्рдЬ्рд╡рд▓ рдеाрдкा рдХाрдЬी
рдЕрдиि рдирд░ाрдо्рд░ीрд▓ाрдИ рджेрдЦ्рджाрдЪाрд╣िँ рдХे рд╣ुрди्рдЫ ? рдЕрдЪрдо्рдо рдЫ рдмा।
- рд╕ुрд╡ाрд╕ рдЙрдк्рд░ेрддी
рдХिрди рд░ ? рд░ाрдо्рд░ीрд▓ाрдИ рджेрдЦ्рджा рддрдкाрдИंрдХो рдкрдиि рдвुрдХрдвुрдХी рдмрдв्рдЫ рд░ ?
- рд░рдХि рдЭाрдкाрд▓ी
рд░ाрдо्рд░ो рдоाрди्рдЫे рджेрдЦेрдкрдЫि рдХे рдЧрд░्рдиे рдХे-рдХрд╕ो рдЧрд░्рдиे рднрди्рдиे рдЙрдХुрд╕рдоुрдХुрд╕ рд╣ुрди्рдЫ, рдд्рдпрд╕ैрд▓े рд╣ोрд▓ा।
- рд╕рди्рджेрд╢ рдХрдаाрдпрдд
рдЦोрдЗ, рдЖрдл्рдиो рдЖँрдЦाрд▓े рдд рд╕рдмैрд▓ाрдИ рд░ाрдо्рд░ो рдиै рджेрдЦ्рдЫ। рдзрдб्рдХрди рдмрдв्рдиे рдХुрд░ाрдЪाрд╣िँ рдЖँрдЦा рд░ рдоुрдЯुрдХो рд╕рдо्рдмрди्рдз рднрдПрд░ рдкो рд╣ो рдХि ?
- рдЧंрдЧा рд╡िрд╡рд╢ рдЧिрд░ी
рдоेрд░ो рдд рдЬрд╕्рддै рдпुрд╡рддी рджेрдЦे рдкрдиि рдзрдб्рдХрди рдмрдв्рдЫ।
- рд╡िрдЬ्рдЮाрди рдЕрдзिрдХाрд░ी
рд░ाрдо्рд░ी рдХेрдЯी рд╣िрд░ोрдЗрдирдЬрд╕्рддा рд╣ुрди्рдЫрди्, рдоुрдЯुрдХो рдзрдб्рдХрди рдд рдмрдвिрд╣ाрд▓्рдЫ рдиि।
- рддेрдЬрди рдХ्рд╖ेрдд्рд░ी
рдоेрд░ो рдд рдоुрдЯुрдХो рдзрдб्рдХрди рдмрдв्рдиुрднрди्рджा рдкрдиि рдЖँрдЦा рдлрд░्рдлрд░ाрдЙँрдЫ। рдпो рдкाрдкी рдЖँрдЦा рдХिрди рдлрд░्рдлрд░ाрдЙँрдЫ рдеाрд╣ा рдЫैрди।
- рдк्рд░рдЬ्рд╡рд▓ рд╕ैंрдЬु
рд╣ंрд╕рд▓े рдаाрдЙँ рдЫाрдбेрд░ рд╣ोрд▓ा рдиि।
- рднीрдо рдпोрдЧी
рдЖрдлूрд▓ाрдИ рдЖрдХ्рд░рдордг рдЧрд░िрд╣ाрд▓्рдЫिрди् рдХि рднрдиेрд░ рд╣ो рдХि ?
- рдирд╡ीрди рдеाрдкा
рдХे рд╣ो рд╕рдо्рдкाрджрдХ рдЬ्рдпू, рднाрдЙрдЬुрд▓ाрдИ рдорди рдкрд░ाрдЙрди рдЫाрдб्рдиु рднो рдХि рдХ्рдпा рд╣ो ? рддрд░ рдзрдб्рдХрди рдмрдвे рдкрдиि рдХे рдЧрд░्рдиु, рдЖрдХाрд╢рдХो рдлрд▓ рдЖँрдЦा рддрд░ी рдорд░ рдд рд╣ो рдиि।
- рдзु्рд░рд╡ рд▓ाрдоिрдЫाрдиे
рдорд▓ाрдЗрдЪाрд╣िँ рдЕрд╣िрд▓ेрд╕рдо्рдо рдд्рдпрд╕्рддो рднрдПрдХो рдЫैрди। рдмрд░ु рдпрд╕्рддै рдк्рд░рд╢्рди рдпुрд╡рддीрд╣рд░ूрд╕ँрдЧ рд╕ोрдзे рдХрд╕ो рд╣ोрд▓ा ?
- рд░ाрдордЬी рдЪौрдзрд░ी
рдЦै, рдХिрди рд╣ोрд▓ा рдеाрд╣ рднрдПрди।
- рд╕рд░िрддा рдЧुрд░ुрдЩ
рдпुрд╡рддीрд╣рд░ूрдоा рдЪुрдо्рдмрдХ рд╣ुрди्рдЫ рд╣ोрд▓ा рдиि। рдд्рдпрд╣ी рднрдПрд░ рдпुрд╡ाрд╣рд░ू рдЖрдХрд╖िрд░्рдд рд╣ुрди्рдЫрди् рд░ рдЙрдиीрд╣рд░ूрдХो рдоुрдЯुрдХोे рдзрдб्рдХрди рдмрдв्рдЫ।
- рд░ौрдирдХ рдмрд╕्рдиेрдд
рд░ाрдо्рд░ीрд▓ाрдИ рдХрд╕рд░ी рдЖрдл्рдиो рдмрдиाрдЙрдиे рднрди्рдиे рдЪिрди्рддाрд▓े рд╣ोрд▓ा। рдпрд╕्рддो рд╕рдмैрд▓ाрдИ рд╣ुрди्рдЫ।
- рдирд╡рдЬीрд╡рди рдЪौрдзрд░ी
рдпो рдкрдиि рднрдиि рд░рд╣рдиु рдкрд░्рдиे рдХुрд░ा рд╣ो рд░ ? рдоुрдЯुрдХो рдХाрдо рдиै рдзрдб्рдХिрдиे рд╣ो। рдХрд╣िрд▓े рдЫिрдЯो, рдХрд╣िрд▓े рдвिрд▓ो рдд рднैрд╣ाрд▓्рдЫ рдиि।
- рд╕ुрдордирдХुрдоाрд░ рд╢्рд░ेрд╖्рда
рдпрд╕्рддा рд╕рдмै рдХुрд░ा рдеाрд╣ा рднрдПрдХो рднрдП рдд рдХрд╣ाँ рдЖрдл्рдиी рдк्рд░ेрдоिрдХाрд▓ाрдИ рдЧुрдоाрдЙрдиुрдкрде्рд░्рдпो рд░ ?
- рдЕрд╕рдлрд▓ рд▓рдн्рд▓ी рдХाрдл्рд▓े
рд╡िрдкрд░ीрдд рд▓िंрдЧीрдоा рд╣ुрдиे рдЖрдХрд╖рд░्рдгрд▓े рд╣ोрд▓ा।
- рд╕рди्рддोрд╖ рдЧाрдЙँрд▓े
рд░ाрдо्рд░ीрдХो рдЕрдЧाрдбि рдкрд░्рджा рдирд░ाрдо्рд░ो рджेрдЦिрди्рдЫु рднрди्рдиे рдбрд░рд▓े рд╣ो рдХि ?
- рдХीрд░्рддि рдЪौрдзрд░ी
рдзрдб्рдХрдирднрди्рджा рдкрдиि рд╕ेрдХ्рд╕ рдбिрдЬाрдпрд░рдЪाрд╣िँ рдкрдХ्рдХै рдмрдв्рдЫ।
- рд░ाрдЬ
рдпुрд╡рддीрд╣рд░ूрдк्рд░рддि рдмрдвी рдХ्рд░ेрдЬी рднрдПрд░ рд╣ोрд▓ा।
- рднीрдо рдЖрд▓े
рдЪुрдо्рдмрди рд░ рд╕ेрдХ्рд╕ рдЧрд░्рдиे рдЗрдЪ्рдЫाрд▓े рдд्рдпрд╕्рддो рднрдПрдХो рд╣ो।
- рдордиोрдЬ рдХुрдоाрд░
рдпो рдкрдиि рд╕ोрдз्рдиे рдХुрд░ा рд╣ो рд░ ? рд╕рдмैрдХो рдЬीрд╡рдирдоा рдпрд╕्рддो рдЖрдХрд░्рд╖рдг рдд рднैрд╣ाрд▓्рдЫ рдиि।
- рдиिрд╡ेрд╢ рдкुрди
рем рдирдо्рдмрд░рдХो рдЪрдк्рдкрд▓рд▓े реп рдирдо्рдмрд░рдХो рдбाрдо рдмрд╕ाрдЙँрдЫ рднрди्рдиे рдбрд░рд▓े।
- рд╢ंрдХрд░ рдЕрд░्рдпाрд▓
рдЙрдирд▓ाрдИ рдоाрдпाрд▓ु рдмрдиाрдЙрди рдкाрдП рд╣ुрди्рде्рдпो рднрдиेрд░ рд╣ोрд▓ा рдиि।
- рд╢िрд╡ рдЧुрд░ुрдЩ
рдЖрдлू рдирд░ाрдо्рд░ो рднрдПрдкрдЫि рдмрдв्рдЫ рд╣्рдпाрди्рд╕ी рд╣ुрдиे рд╣ो рднрдиे рдд рдЙрд▓्рдЯै рдХेрдЯीрдХो рдзрдб्рдХрди рдмрдв्рдЫ।
- рд╡िрд░ाрдЬ рдЧिрд░ी
рдпो рд╕्рд╡ाрднाрд╡िрдХ рдк्рд░рдХ्рд░िрдпा рд╣ो। рд╕рдо्рднрд╡рддः рддрдкाрдИंрдХो рдзेрд░ै рдмрдвेрдХो рд╣ोрд▓ा।


рд╡िрд▓ाрд╕िрддाрд▓े рдмрдвाрдЙँрджै рдЫ рд╕рдо्рдмрди्рдзрд╡िрдЪ्рдЫेрдж

рд▓рди्рдбрди, рдЖрд╢्рд╡िрди реирем - рдЬिрди्рджрдЧीрдХो рд▓ाрдоो рдпाрдд्рд░ाрд╕ँрдЧै рдЫिрдЪोрд▓्рдиे рдк्рд░рддिрдЬ्рдЮा рдЧрд░ेрд░ рд╕ाрдвे рдЪाрд░ рд╡рд░्рд╖рдЕрдШि рдмिрд╣े рдмрди्рдзрдирдоा рдмाँрдзिрдП । рд░рдоेрд╢ рд░ рд╢िрд▓ा (рдиाрдо рдкрд░िрд╡рд░्рддрди) । рдмिрд╣ेрд▓рдЧрдд्рддै рдЕрдз्рдпрдпрдирдХा рд▓ाрдЧि рдмेрд▓ाрдпрддрдХो рдЯिрдпрд░ рдлोрд░ рднिрд╕ा рдоिрд▓्рдпो । рдирдпाँ рд╕рдо्рдмрди्рдз, рдирдпाँ рдкрд░िрд╡ेрд╢ рд░ рдирдпाँ рдЖрдХांрдХ्рд╖ा । рджिрдирдЪрд░्рдпा рдХрдо рд░ोрдоाрдЮ्рдЪрдХ рд░рд╣ेрди । рд╢्рд░ीрдорддी рд╡िрдж्рдпाрд░्рдеी, рд╢्рд░ीрдоाрди् рдбिрдкेрди्рдбेрди्рдЯ рднрдПрдХाрд▓े рдлुрд▓рдЯाрдЗрдо рдЬрд╡ । рдкрд░िрд╢्рд░рдордХो рдХрджрд░ рд╣ुрдиे рджेрд╢рдоा рдиिрдпрдоिрдд рдЖрдо्рджाрдиीрд▓े рдХेрд╣ीрдХो рдЕрднाрд╡ рд╣ुрдиे рдд рдХुрд░ै рднрдПрди । рдШुрдордлिрд░, рдоोрдЬрдорд╕्рддी । рд╡ैрд╡ाрд╣िрдХ рд╕рдо्рдмрди्рдз рдордЬрдмुрдд рдеिрдпो । рддрд░ рд╕рдордп рдмिрдд्рджै рдЬाँрджा рд░рдоेрд╢рдоा рдкाрд╢्рдЪाрдд्рдп рдк्рд░рднाрд╡ рджेрдЦिрди рдеाрд▓्рдпो । рд╡िрджेрд╢ी рд╕ाрдеीрдмाрдЯ рдЙрд╕рд▓े рдиाрдЗрдЯ рдЖрдЙрдЯ, рд╕ोрд╕рд▓ाрдЗрдЬ, рдлрди рдЗрдд्рдпाрджि рд╕िрдХ्рдпो ।

рд╕рдордпрдоा рдХрд╣िрд▓्рдпै рдШрд░ рдирдЖрдЙрдиे, рдШрд░ рд╡्рдпрд╡рд╣ाрд░ рднрдж्рд░рдЧोрд▓ рдЫ । рдПрдХ рдкैрд╕ा рдмрдЪрдд рдЫैрди । рдЙрд╕рдХा рдпрд╕्рддै рдХ्рд░िрдпाрдХрд▓ाрдкрд▓े рджाрдо्рдкрдд्рдп рдЬीрд╡рдирдХो рдд्рдпो рд░рдоाрдЗрд▓ो рд╡िрдЧрдд рд╡िрд╕्рддाрд░ै рдоेрдЯिँрджै рдЧрдпो । рдПрдХाрдкрд╕рдоा рдХुрд░ै рдирдоिрд▓्рдиे । рдЕрди्рддрддः рдмिрд╣ेрдХो рдЪाрд░ рд╡рд░्рд╖рдкрдЫि рд╢िрд▓ा рдЖрдл््рдиो рд╡ैрд╡ाрд╣िрдХ рд╕рдо्рдмрди्рдз рд╕рдоाрдкрдирддिрд░ рд▓ाрдЧेрдХी рдЫिрди् । рдЙрдирд▓े рдПрдЙрдЯा рдХाрдиुрдиी рд░्рдлрдордоा рджाрдЦिрд▓ рдЧрд░ेрдХो рд╕рдо्рдмрди्рдз рд╡िрдЪ्рдЫेрдж (рдбिрднोрд░्рд╕) рдлाрдЗрд▓рдоा рд╡ैрдЪाрд░िрдХ рдорддрднेрдж рд░ рдЖрдл्рдиो рднाрд╡рдиाрдХो рдХрджрд░ рдирднрдПрдХो рдиिрд╡ेрджрди рдЫ । рдЙрддा рд░рд╢्рдоी рд░ рд╣ेрдо (рджुрд╡ै рдиाрдо рдкрд░िрд╡рд░्рддрди) рдХो рдХрд╣ाрдиी рдмेрдЧ्рд▓ै рдЫ । резреи рд╡рд░्рд╖рдЕрдШि рдмेрд▓ाрдпрдд рдЫिрд░ेрдХो рд╣ेрдо рд╡िрдж्рдпाрд░्рдеी рднिрд╕ाрдмाрдЯै рдкीрдЖрд░ рдкाрдП ।

рдЙрдиी рд╡िрдж्рдпुрддीрдп рд╕ाрдоाрди рдмेрдЪ्рдиे рдПрдЙрдЯा рдХрдо्рдкрдиीрдоा рдХाрд░्рдпрд░рдд рдЫрди् । рдмेрд▓ाрдпрдд рдЯेрдХेрдХो рен рд╡рд░्рд╖рдкрдЫि рдиेрдкाрд▓ рдЧрдПрд░ рдЙрдирд▓े рдШрд░рдЬрдо рдЧрд░े । рдЖрдлूрднрди्рджा рдЬ्рдпाрджै рдХрдо рдЙрдоेрд░рдХी рд╢्рд░ीрдорддी । рд╕ाрдердоै рд▓्рдпाрдПрдкрдЫि рджुрд╡ै рдмेрд▓ाрдпрддрдХो рд╡्рдпрд╕्рдд рджैрдиिрдХीрдоा рд░рдоाрдЙрди рдеाрд▓े । рд╣ेрдо рдХाрдордоा рдмрдвी рдиै рд╡्рдпрд╕्рдд рд╣ुрдиे । рддрд░ рд░рд╢्рдоीрдХो рдеोрд░ै рдЬाрдЧिрд░ рдЬ्рдпाрджा рдШрд░ाрдпрд╕ी рдХाрдо рдеिрдпो । рд╢्рд░ीрдоाрди्рдХो рдпрдеेрд╕्рдЯ рдХрдоाрдЗ рдЕрдиि рдмेрд▓ाрдпрддी рд░рдордЭрдорд▓े рд░рд╢्рдоीрдоा рдХ्рд░рдорд╢ः рдкрд░िрд╡рд░्рддрди рджेрдЦिрди рдеाрд▓्рдпो । рдЕрдзिрдХांрд╢ рд╕рдордп рдлेрд╕рдмुрдХ рдЪ्рдпाрдЯ, рд╡िрдХेрди्рдбрдоा рдЧेрдЯ рдЯुрдЧेрджрд░ рдЕрдиि рд╕ाрдеीрднाрдЗрд╕ँрдЧ рдЖрдЙрдЯिрдЩрд▓े рдкрд░рдкुрд░ुрд╖рд╕ँрдЧ рдЙрдирдХो рд╣िрдордЪिрдо рдмрдвेрдкрдЫि рдпी рджुрдИ рдЬिрди्рджрдЧीрдХो рд░рдерд╕ँрдЧै рддाрди्рди рдирд╕рдХ्рдиे рдиिрд╖्рдХрд░्рд╖рд╕рд╣िрдд рд╕рдо्рдмрди्рдзрд▓ाрдИ рдмाрдЗрдмाрдЗ рдЧрд░्рджैрдЫрди् ।

 рд╕ँрдЧै рдмाँрдЪ्рдиे рд╕ँрдЧै рдорд░्рдиे рдХрд╕рдо рдд्рдпрддि рджिрдЧो рдирд╣ुрдиे рд░рд╣ेрдЫ, рд╕рдордп рд░ рдкрд░िрд╕्рдеिрддिрд▓े । рдЕрдЭ рдмेрд▓ाрдпрдд рдЬрд╕्рддो рд╡िрдХрд╕िрдд рджेрд╢рдоा рд░рд╣ेрд░ рд╡ैрд╡ाрд╣िрдХ рд╕рдо्рдмрди्рдз рдЯिрдХाрдЙрди рдд рдЭрди् рдЪुрдиौрддी рд░рд╣ेрдХो рдпी рдЙрджाрд╣рд░рдг рдоाрдд्рд░ рд╣ुрди् । рд╡ैрдЪाрд░िрдХ рдорддрднेрдж, рдЖрд░्рдеिрдХ рд╕рдорд╕्рдпा, рдЬाрдЧिрд░рдХो рд╡्рдпрд╕्рддрддाрд▓े рдПрдХрдЕрд░्рдХाрд▓ाрдИ рдкрд░्рдпाрдк्рдд рд╕рдордп рджिрди рдирд╕рдХ्рдиु, рдорд╣िрд▓ा рдЕрдзिрдХाрд░ рдк्рд░рдд्рдпाрднूрддि, рдмрдв्рджो рд╕्рд╡рддрди्рдд्рд░рддा рдорд╣рд╕ुрд╕ рд░ рд╕ाрдеीрд╕ंрдЧीрдХो рдоिрд▓्рдиुрднрди्рджा рдЫोрдбी рджे рдпाрд░.. рдЬрд╕्рддो рдЖрд▓ोрдХाँрдЪो рд╕ुрдЭाрд╡рд▓े рдбिрднोрд░्рд╕ рдХ्рд░рдо рд╡ृрдж्рдзि рднрдЗрд░рд╣ेрдХो рдЫ । рджूрддाрд╡ाрд╕рдоाрд░्рдлрдд рдбिрднोрд░्рд╕рдХा рд▓ाрдЧि рд╡ाрд░ेрд╕рдиाрдоा рджिрди рдЖрдЙрдиेрдХो рд╕ंрдЦ्рдпा рдмрдвिрд░рд╣ेрдХो рд▓рди्рдбрдирд╕्рдеिрдд рдиेрдкाрд▓ी рджूрддाрд╡ाрд╕рд▓े рдЬрдиाрдПрдХो рдЫ ।

рджूрддाрд╡ाрд╕рд▓े рдЧрдд рднрджौ рдорд╣िрдиाрдоा рдоाрдд्рд░ рдбिрднोрд░्рд╕ рд░ рдЬрдЧ्рдЧाрдХा рд▓ाрдЧि рейрез рд╡рдЯा рд╡ाрд░ेрд╕рдиाрд╕рдо्рдмрди्рдзी рдХाрдо рдЧрд░ेрдХो рдеिрдпो । рд╕рдоाрдЬрд╢ाрд╕्рдд्рд░ рдкрдвेрдХा рдмेрд▓ाрдпрддрдХा рд▓ाрдЧि рдиेрдкाрд▓ी рд░ाрдЬрджूрдд рдбा. рд╕ुрд░ेрд╢рдЪрди्рдж्рд░ рдЪाрд▓िрд╕ेрд▓े рдпो рдХ्рд░рдо рдмрдвिрд░рд╣ेрдХो рдЬрдиाрдЙँрджै рд╕рдо्рдмрди्рдз рд╡िрдЪ्рдЫेрдж рдмрдв््рдиुрдХा рдХेрд╣ी рдХाрд░рдг рдардо्рдпाрдП । рдЙрдирдХै рд╢рдм्рджрдоा, рд╕рдо्рдмрди्рдз рдЯुंрдЧ्рдпाрдЙрдиे рд╕рд╡ाрд▓рдоा рдорд╣िрд▓ा рдЕрдЧ्рд░рдкंрдХ्рддिрдоा рдЫрди् । рдЦुрд▓ा рдкाрд╢्рдЪाрдд्рдп рд╕ंрд╕्рдХृрддि рд░ рдкрд░्рдпाрд╡рд░рдгрдХो рдк्рд░рднाрд╡, рдЖрдд्рдордиिрд░्рднрд░рддा, рдорд╣िрд▓ा рдкुрд░ुрд╖ рд╕рдоाрди рднрдиेрд░ рд░рдЯाрдЙрдиे рдЖрдзुрдиिрдХ рд╢िрдХ्рд╖ा рдЕрдиि рджेрд╢ рдЫाрдбेрд░ рдЖрдПрдкрдЫि рдкрд░िрд╡рд░्рддрди рд╣ुрдиे рд╡िрд▓ाрд╕ी рдоाрдирд╕िрдХрддा рд░ рд╕्рд╡рддрди्рдд्рд░рддा рдЖрдкрд╕ी рд╕рдо्рдмрди्рдзрдХा рддрдЧाрд░ो рд╣ुрди् рдЪाрд▓िрд╕ेрдХो рдмुрдЭाрдЗрдоा ।


'рдорд╣िрд▓ाрд▓े рдЧрд░्рдЫु рднрдиेрдкрдЫि рдХेрд╣ी рдЧрд░्рдиे рдХुрд░ै рдЖрдЙँрджैрди,' рдЪाрд▓िрд╕े рднрди्рдЫрди्, 'рдмेрд▓ाрдпрддрд▓े рдорд╣िрд▓ा рдЕрдзिрдХाрд░ рдмрдвी рджिрдПрдХाрд▓े рдкрдиि рдпो рдЧрд░्рди рдЖрдд्рдордмрд▓ рдмрдвेрдХो рд╣ुрдиुрдкрд░्рдЫ ।' рдпрд╕्рддा рдоुрдж्рджा рдзेрд░ै рд╕рдо्рд╣ाрд▓िрд░рд╣ेрдХो рдЫ рд▓рди्рдбрди рдЗрд▓िрдЩрд╕्рдеिрдд рд╡्рдпрд╕्рдд рдХाрдиुрдиी рд░्рдлрдо 'рдПрднрд░ेрд╕्рдЯ рд▓ рд╕ोрд▓िрд╕िрдЯрд░्рд╕' рд▓े рдкрдиि । рд░्рдлрдордХा рдкि्рд░рди्рд╕िрдкрд▓ рдПрд╡ं рдкрд╣िрд▓ो рдиेрдкाрд▓ी рд╕ोрд▓िрд╕िрдЯрд░ рд░ाрдЬु рдеाрдкाрдХो рдмुрдЭाрдЗрдоा рд╡िрд╢ेрд╖ рдЧрд░ी рдиेрдкाрд▓ी рд╕рдоुрджाрдпрднिрдд्рд░ рдШрд░ेрд▓ु рд╣िंрд╕ा рд╕рдо्рдмрди्рдз рддोрдбिрдиुрдХो рдк्рд░рдоुрдЦ рдХाрд░рдХ рдЫ । 'рд╕рдзैं рдШрд░ рдЭрдЧрдбा рднрдПрд░ рд╕рдо्рдмрди्рдзрд▓ाрдИ рддिрд▓ाрдЮ्рдЬрд▓ि рджिрдиेрд╣рд░ू рдзेрд░ै рдЫрди्,' рдеाрдкाрд▓े рднрдиे । рдк्рд░рдЬाрддाрди्рдд्рд░िрдХ рджेрд╢рдоा рдкрдиि рдХिрди рдЕрдд्рдпाрдЪाрд░ рд╡ा рдЕрд╕рди्рддुрд╖्рдЯि рдЦेрдкेрд░ рдмрд╕्рдиु рднрди्рдиे рдоाрдирд╕िрдХрддा рдкрдиि рдЕрд░्рдХो рдХाрд░рдг рджेрдЦ्рдЫрди् рдеाрдкा । рдмेрд▓ाрдпрдд рднिрдд्рд░िрдиे рдЙрдж्рджेрд╢्рдпрд▓े рдирдХ्рдХрд▓ी рдмिрд╣े рдЧрд░ी рдбिрдкेрди्рдбेрди्рдЯрдоा рдЖрдПрдХा рдзेрд░ै рдпुрд╡ाрдпुрд╡рддी рдкрдиि рдЕрд╣िрд▓े рд╡ैрд╡ाрд╣िрдХ рдЬीрд╡рди рд╕рдоाрдк्рддिрддिрд░ рд▓ाрдЧिрд░рд╣ेрдХो рдеाрдкाрд▓े рдЬрдиाрдП । рд╡िрд╢ेрд╖ рдЧрд░ी резрео рджेрдЦि реиреи рд╡рд░्рд╖ рдЙрдоेрд░рдХा рдХेрдЯाрдХेрдЯी рдкुрд░ाрдиो рдмрдиाрд╡рдЯी рдмिрд╣े (рднाрд╡рдиाрдд्рдордХ рдирднрдП рдкрдиि рдХाрдиुрдирдоा рдЪाрд╣िँ рд╕рдХ्рдХрд▓ी рдиै рд╣ो) рдЯुंрдЧ्рдпाрдПрд░ рдЕрд░्рдХो рдЬीрд╡рди рд╕ुрд░ु рдЧрд░्рди рд▓ाрдЧेрдХा рд╣ुрди् ।

рд╕рди् реирежрежреп, рдоाрд░्рдЪрдоा рдмेрд▓ाрдпрдд рд╕рд░рдХाрд░рд▓े рдЯिрдпрд░ рдлोрд░рдХो рдХाрдиुрдиी рд▓्рдпाрдПрдкрдЫि рдзेрд░ै рд╡िрдж्рдпाрд░्рдеी рдирдХ्рдХрд▓ी рдмिрд╣े рдЧрд░ेрд░ рдпрддा рдЖрдП । рддрд░ рдд्рдпрддिрдмेрд▓ाрдХो рд╕рдо्рдмрди्рдз рдХेрд╡рд▓ рдЙрдж्рджेрд╢्рдп рдкूрд░्рддिрдХा рд▓ाрдЧि рднрдПрдХाрд▓े рдЕрд╣िрд▓े рдЙрдиीрд╣рд░ू рдд्рдпрд╕рд▓ाрдИ рдЯुंрдЧ्рдпाрдПрд░ рдЕрд░्рдХो рдЬीрд╡рди рд╕ुрд░ु рдЧрд░्рди рдЪाрд╣рди्рдЫрди् । рд╢्рд░ीрдоाрди्-рд╢्рд░ीрдорддी рджुрд╡ै рдмेрд▓ाрдпрддрдоा рд╕ँрдЧै рд░рд╣ेрд░ рдЕрд▓рдЧ्рдЧिрди рдЪाрд╣рдиे рдПрдХрдерд░ी рдЫрди् рднрдиे рдЕрд░्рдХोрддिрд░ рдХुрдиै рдПрдХ рдкрдХ्рд╖ рдиेрдкाрд▓ рд░ рдЕрд░्рдХो рдмेрд▓ाрдпрдд рд░рд╣ेрд░ рдк्рд░рдд्рдпрдХ्рд╖ рдирднेрдЯी рдмीрдЪैрдоा рд╕рдо्рдмрди्рдз рдЯुंрдЧ्рдпाрдЙрди рдЦोрдЬ्рдиे рдкрдиि рдЫрди् । рдмेрд▓ाрдпрдд-рдиेрдкाрд▓ рдЬрд╣ाँ рд░рд╣े рдкрдиि рдбिрднोрд░्рд╕ рдк्рд░рдХ्рд░िрдпा рдмрдвाрдЙрди рд╕рдХिрдиे рдк्рд░ाрд╡рдзाрди рдЫ ।


рдиेрдкाрд▓рдХो рдХाрдиुрдирдЕрдиुрд╕ाрд░, рдХेрдЯा рд╡ा рдХेрдЯी рдкрдХ्рд╖рд▓े рдЖрдлू рдиिрдХрдЯрд▓ाрдИ рджूрддाрд╡ाрд╕рдоाрд░्рдлрдд рдЕрдЦ्рддिрдпाрд░ рдЕрд░्рдеाрдд् рд╡ाрд░ेрд╕рдиाрдоा рджिрдПрд░ рд╡िрджेрд╢рдмाрдЯै рд╕рдЬिрд▓ै рдЯुंрдЧ्рдпाрдЙрди рд╕рдХ्рдЫрди् рд╕рдо्рдмрди्рдз । рдмेрд▓ाрдпрддрдоै рд░рд╣ेрдХा рдЬोрдбीрд▓ाрдИ рднрдиे рдк्рд░рдХ्рд░िрдпा рдЕрд▓िрдХ рднिрди्рди рдЫ । рд╕ोрд▓िрд╕िрдЯрд░ рдеाрдкाрд▓े рдмेрд▓ाрдпрддрдоा рд╕рдо्рдмрди्рдз рд╡िрдЪ्рдЫेрдж рдЧрд░्рди рд╕рдХिрдиे рдкाँрдЪ рдЖрдзाрд░ рд░рд╣ेрдХो рдк्рд░рд╕्рдЯ्рдпाрдП । рдкрд╣िрд▓ो, рд╕рдо्рдмрди्рдз рдХाрдпрдоै рд░рд╣ेрдХा рдмेрд▓ा рдХुрдиै рдПрдХ рдкрдХ्рд╖рд▓े рджोрд╕्рд░ो рд╕рдо्рдмрди्рдз рдЧाँрд╕ेрдоा (рдПрдбрд▓्рдЯ्рд░ी), рджोрд╕्рд░ो, рдЕрдиुрдЪिрдд рд╡्рдпрд╡рд╣ाрд░ рдЧрд░ेрдоा (рдЧाрд▓ीрдЧрд▓ौрдЬ, рдШрд░ेрд▓ु рд╣िंрд╕ा, рдЕрдкрдоाрди рдЖрджि), рддेрд╕्рд░ो, рдмिрдиाрдХाрд░рдг рдЫोрдбेрд░ рдЧрдПрдХो рдЕрд╡рд╕्рдеाрдоा, рдЪौрдеो, рджुрдИ рд╡рд░्рд╖ рдиिрд░рди्рддрд░ рдПрдХ рдЕрд░्рдХाрдмीрдЪ рдЕрд▓рдЧ्рдЧिрдПрд░ рдмрд╕ेрдХो рд░ рд╕рд╣рдорддिрдоा рдЫुрдЯ्рдЯрдиि рдЪाрд╣ेрдоा рд░ рдЕрди्рддिрдо, рдкाँрдЪ рд╡рд░्рд╖рд╕рдо्рдо рдПрдХ рдЕрд░्рдХाрдмीрдЪ рдЫुрдЯ्рдЯिрдПрд░ рдмрд╕ेрдХो рдЕрд╡рд╕्рдеाрдоा рдЕрд░ू рдк्рд░рдоाрдгрдмिрдиा рдиै рд╕рдо्рдмрди्рдз рд╡िрдЪ्рдЫेрдж рднрдПрдХो рдард╣рд░िрдиेрдЫ ।
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